Saturday, April 17, 2010

Aboriginals Gallery featured in Fort Myers News-Press

It was a very pleasant surprise when Evelyn Longa contacted us on the phone and said she had been tipped that our online tribal art gallery would be a good subject for her Artful Shopper column.

After a brief telephone conversation, during which we answered Ms. Longa's questions, she said we would be in the following Monday's edition of the (Fort Myers) News-Press. We were excited with anticipation. This kind of editorial coverage has a lot of credibility. While we are proud of what do and have done, that's just us. A third party reference is worth a lot.

Came Monday and there it was. Ms. Longa did a very fine job of reporting. Now we would like to share it with you. Here is a link to the article in the News-Press archives.

There also was a nice photo of Susanne and me, so I have scanned the article and am posting a jpg of it.
Since search engines can read jpg images, I am going to add some links to this text. For more information about our web business(es) visit TribalWorks.com for African, Arctic and Australian tribal art, Native-JewelryLink.com for hand-made American Indian jewelry, Native-PotteryLink.com for authentic Pueblo pottery and ZuniLink.com for Zuni Indian and other Native American carvings.

We hope you enjoy what you see and will comment with any question you may have.

Monday, April 12, 2010

Detroit Institute of Arts mounts a compelling African art show

This is one in a series of blog messages about tribal art, including African art, presented by Aboriginals: Art of the First Person, proprietors of a web site including African tribal art at TribalWorks.com.

We learned of a new exhibit at the Detroit Institute of Arts, "
Through African Eyes", from a recent review in the Detroit Free Press. The show opens April 18, 2010.

The reviewer, Mark Stryker, comments on the sensitivity of the curator, Nii Quarcoopome, in presenting the character of African art as it was influenced by Western cultural and European colonialism. We recommend a read of the review to you, which is available by going to freep.com and searching for DIA.

He writes, "Check your preconceptions with your coat
. "Through African Eyes" examines the way African artists portrayed Europeans and cultural exchange from 1500 to the present, but the show dispenses with a monolithic view of Africa, noble-savage clichés and the politically correct drumbeat of the evil European "other." "

As lovers of African tribal art ourselves, we regret we will not be able to visit Detroit (my former hometown) to see the show. Fortunately, the Free Press includes a photo gallery displaying some of the most impressive objects. (Click on Photo Gallery).

An example is this: -"Chair with Four Felines (ChiefÕs Throne)." Unknown artist, Fon culture, Republic of Benin, before 1950; Wood. From the collection of Menil Collection
(Detroit Institute of Arts)"

If you are in or near Detroit, be sure to see this show before it closes Sunday, August 8, 2010. If you are unable to get there, check out the Detroit Free Press article and the information at DIA.org.


Aboriginals Gallery also hosts web sites at ZuniLink.com, featuring Zuni and other Native American carvings, Native-JewelryLink.com, featuring hand-made Native American jewelry, and Native-PotteryLink.com, featuring authentic Native American and Pueblo pottery. You are invited to visit one or all of them to learn more about the fascinating world of tribal art.

Saturday, March 06, 2010

Cliff Fragua art stolen in Phoenix

The Antique Tribal Art Dealers Association, of which Aboriginals: Art of the First Person is a member, reports the theft in Phoenix of a trailer containing art and jewelry belonging to Cliff Fragua, Jemez. The report, including photos of some of the articles, may be accessed at

http://www.atada.org/theft.html#fragua2010

Fragua's work is highly regarded and it is estimated the jewelry alone is valued at $5,000. The ATADA reports such thefts in alerts designed to discourage sale of the items to dealers or collectors who might otherwise thing they were being offered by legitimate owners.

It is important to note that the purchase and retention of stolen articles is a crime.

The trailer was stolen from a Phoenix AZ hotel parking lot sometime during the night of March 3-4, 2010. Presumably, Fragua was attending th erenowned Indain Art Show at the Heard Museum.

If you see or are offered any of these items, please contact the Phoenix,AZ police department or Cliff Fragua, 505-252-8870

Aboriginals: Art of the First Person, operators of this blog and Native American art web sites at ZuniLink.com, Native-JewelryLink.com and Native-PotteryLink.com, supports every effort to preserve Native American art and protect the rightful ownership thereof.

Saturday, February 20, 2010

Aboriginals: Art of the First Person and its associated web sites at Native-JewelryLink.com, Native-PotteryLink.com, TribalWorks.com and ZuniLink.com salutes the just announced winners of the Southwestern Association for Indian Arts (SWAIA) 2010 Fellowship Awards
The Southwestern Association for Indian Arts is primarily known as the producer of the Santa Fe Indian Market. For almost 90 years, the Indian Market has been the progenitor of Native art and design. What may not be obvious on the surface, however, is SWAIA's organizational role as a true advocate for Native artists. One of its primary directives is to support Native through various educational programs.

Since 1980, the SWAIA Fellowship Program has been the centerpiece of support and guidance for emerging and established Native artists. Thirty years later the Fellowship Program has been reinvented to provide unprecedented access and resources to Native artists like no other program in the world.

SWAIA is proud to introduce the 2010 Artist Fellowship Winners. Paired with the prestige and power of the Santa Fe Indian Market, the SWAIA Fellows are poised to transcend the limits of Native expression. The artists will be presented with their awards at SWAIA's Honoring Reception on Thursday, June 10, 2010. Details for the event TBA.


The Fellowships have been divided into two categories:
Residency Fellowships and Discovery Fellowships


Residency Fellowship

In collaboration with the Santa Fe Art Institute, SWAIA has established the SWAIA Residency Fellowships-a one-month residency for Native artists during August 2010.

"The Santa Fe Art Institute is pleased and proud to collaborate with SWAIA on the newly developed Residency Fellowship Program. SWAIA's history of recognizing and honoring excellence in the arts, and working to support the careers of emerging and established Native artists meshes beautifully with the SFAI's fundamental goal of supporting the contemporary art and artists that make a difference in the world," Michelle Laflamme-Childs, Residency & Marketing/PR Director for SFAI says.

Residency Fellows will receive:
  • One-month Artist Residency at the Santa Fe Art Institute in August 2010 (Includes lodging, studio space and basic foods)
  • A $5,000 monetary award
  • A complimentary Fellowship Booth at the 2010 Santa Fe Indian Market
  • Recognition at the SWAIA Honoring Reception (June 2010)
  • Press Coverage
  • Exhibit at Patina Gallery, Santa Fe, NM
  • Santa Fe Art Institute Open Studio Event
2010 Discovery Fellowship

The SWAIA Discovery Fellowship is designed for Native artists to explore their creative process and push the boundaries of their respective art forms. Whether the art form is traditional or contemporary or if the artists are emerging or established, SWAIA encouraged applications from artists expanding the vitality of their work into undefined areas. As in previous years, fellowships funds may be used to purchase materials. Nevertheless, consideration was given to applicants, who plan to use the funds for ancillary art study or travel and research.

Discovery Fellows will receive:
  • A $5,000 monetary award
  • A complimentary Fellowship Booth at the 2010 Santa Fe Indian Market
  • Recognition at the SWAIA Honoring Reception (June 2010)
  • Press Coverage
  • Exhibit at Patina Gallery, Santa Fe, NM

2010 SWAIA Residency Fellowship Winners


Hoka Skenandore
(Oneida/Ogala/Luiseno)
Painter

"I feel honored that SWAIA has chosen me as one of the three recipients of the residency fellowship, and feel that the organization has honored it's commitment to showcasing contemporary art and artists. Being able to work alongside other artists at the Santa Fe Art Institute also shows the importance of Native American Art in the larger art community."


Hoka Skenadore was born in Santa Fe in 1982 at the Indian Hospital. He grew up in Albuquerque with a short stint at the Laguna Reservation where his mother taught school. As a pre-teen Hoka began to enter local arts contests and won one with a drawing that was later turned into a billboard. By high school, he had developed a keen interest in graffiti art and finished his high school years studying street art at an alternative high school in Albuquerque. After graduation Hoka worked at VSA Arts of New Mexico, a non-profit arts organization dedicated to working with adults with disabilities. As an Americorps volunteer he met master muralist, A.G. Joe Stephenson, who became his mentor and teacher. In 2001, Hoka participated in his first SWAIA Indian Market, and was awarded 2nd Place in the New Directions Category for painting. He completed his BFA in Studio Arts at IAIA in 2006 and currently works in the sign industry in Albuquerque. His work was most recently shown at the Berlin Gallery in Phoenix, AZ.

Peterson Yazzie
(Dine)
Painter

"I have invested a lot of time and effort to get my art to where it's at, with no short cuts. I am very happy and excited to finally have my art seen by the larger public, on a stage as grand as the SWAIA Fellowship! When I started painting I started with nothing more than hope and effort, I didn't have a well known or legendary family name to build my name upon. I am very thankful and excited for the opportunity; there couldn't have been a better time in my career for such a prestigious award!"


Peterson Yazzi is from Greasewood Springs Arizona and has been painting since 1997 when he held a paintbrush for the first time as a junior in high school. By graduation, Peterson had art scholarships to Northland Pioneer College, University of Evansville, and a monetary scholarship from the Heard Museum along with a week-long art internship to Northern Arizona University. Since then he has won many awards and recognitions from art shows such as: Heard Museum Indian Art Show, Santa Fe Indian Market, Eight Northern Pueblos Indian Art Show, Small Wonders Native American Art Show with Museum of Indian Arts and Culture, White Mountain Native American Art Festival and many more. He has received art fellowships from Eiteljorg Museum and the Vermont Studio Center. He received his AFA and BFA from the Institute of American Indian Arts in Santa Fe and his MFA from the University of New Mexico. www.petersonyazzie.com


Jason Reed Brown
(Koyukon Athabascan)
Blacksmith


Jason Reed Brown earned an Associate of Fine Arts degree from the Institute of American Indian Arts and is a graduate of Turley Forge School of Blacksmithing in Santa Fe, NM. Throughout his years as a blacksmith, Jason has been featured in various American Indian Art Exhibitions and commissioned award-winning sculptures. Jason has been fortunate to work with Tom Joyce Architectural Blacksmithing for the past ten years, truly immersing him into the wide world of blacksmithing. Jason focuses his artwork on translating the beauty of Northwest Coastal Indian art into hand-forged ironwork.



2010 Discovery Fellowship Winners


Kenneth Williams
(Arapaho/Seneca)
Beadwork

"My thoughts come with excitement as well as deep and humble thankfulness. Being chosen as one of the 2010 fellowship winners is a great honor to me, as well as to my work. I feel very grateful to be chosen alongside with the other wonderful fellowship winners. Winning this fellowship is also an honor to my family and the teachings I have learned from them."


Kenneth Williams is a beadworker. He was born into this artistic tradition and has had the benefit of generations' worth of knowledge and experience passed onto him. He began observing and experimenting with beadwork when he was six years old while living on his father's reservation, the Cattaraugus Seneca Indian Territory in western New York. As a teenager, he moved to Utah and began to spend more time with mother's family at the Wind River Indian Reservation in Wyoming. His family, the Spoonhunters, have long been regarded as master beadworkers. Their influence and guidance came at a pivotal time for him, such that their support and inspiration spurred him to start bigger projects like dolls, bags, cradleboards, and moccasins. He graduated from the Institute of American Indian Arts (IAIA) with a Bachelor of Arts degree in Museum Studies. He also studied with master beadworker Teri Greeves.

David Boxley
(Alaskan Tsimshian)
Sculpture/Painting/Diverse Arts

"I am very proud to have won this fellowship. It gives me the opportunity to not only come to Santa Fe for the first time to show my art and abilities, but as important, I will bring Tsimshian dancing, masks, drums, regalia and all. I am looking forward to sharing Northwest Native traditions with our friends in the Southwest."


David Boxley is a Tsimshian carver from Metlakatla, Alaska. Born in 1952, he was raised by his grandparents. From them he learned many Tsimshian traditions including the language. After high school he attended Seattle Pacific University where he received a Bachelor of Science degree in 1974. He became a teacher and basketball coach to Junior and Senior high students in Alaska and Washington. While teaching in Metlakatla in 1979 he began devoting considerable time to the study of traditional Tsimshian carving. Through researching ethnographic material and carvings from museum collections, Boxley has learned the traditional carving methods of his grandfather's people. David has been directly involved in the formation of four successful dance groups: one in his home village of Metlakatla, Alaska, and others in Seattle, Washington. He led the Tsimshian Haayuuk for 6 years, and now has a new group called the Git-Hoan (people of the Salmon). David has written over 40 songs in his Native language, and carved many masks, rattles, paddles and other performance items. David Boxley is the first Alaskan Tsimshian to achieve national prominence; he is particularly well respected as a totem pole carver, having carved 65 poles in the last 26 years. In all of David Boxley' s works of art, from totem poles, box drums to prints, he emphasizes Tsimshian style. In the recent resurgence of Native American cultural traditions, artists have become the culture bearers for their tribes. Boxley accepts this responsibility not only in his carving accomplishments, but by bringing the traditions he has learned in his path to being a carver back to his home village.


D.Y. Begay
(Dine)
Weaver

"My initial reaction when I learned heard the announcement was an exhalation of joy and relief. I was extremely pleased. My trip to Cusco, Peru to participate in the "Gathering of the Weavers of the Americas" is a "dream come true"! I had been invited to attend this event but didn't have the financial resources to attend.
The fellowship will provide an extraordinary opportunity for me to go to Peru and participate in this very important gathering of international weavers."

D.Y. is Dine'. She was born to the Totsohnii Clan, the Big Water people, and born for the Tachii'nii Clan, Red Streak Earth people. She is a fourth generation weaver; her unique weaving style has been handed down through generations. D.Y.'s weavings encompass a personal interpretation of the beauty of the high desert where she grew up on the Navajo reservation. She uses the same techniques passed down from her ancestors to create designs that have artistic and intriguing values reflecting her roots. Her paternal grandmother taught her how to card and spin wool and to pick plants for dyeing the yarn to obtain the varied and subtle colors she uses in her weavings. She has exhibited her work all over the world and is included in such museum collections as the Roswell Museum and Art Center, Roswell, NM, Wheelwright Museum of the American Indian, Santa Fe, NM, National Museum of the American Indian Smithsonian Institute, New York City; Kennedy Museum of Art, Athens, OH; Mesa Art Center, Mesa, AZ; National Museum of Scotland, Edinburgh, Scotland.
www.navajo-indian.com

Friday, February 12, 2010

SWAIA reveals 2010 Indian Market Poster Artist

This blog is devoted to tribal art from many different cultures.
The sponsors, TribalWorks. com, ZuniLink.com, Native-PotteryLink.com and Native-PotteryLink.com, try to deal with all of them representatively. Today's subject relates to Native American art and one of the most respected voices in its support.


Breaking with a tradition of naming new and emerging artists as the Indian Market Poster Artist of the Year, Southwestern Association for the Indian Arts has announced that Geronima Cruz Montoya, venerated Ohkay Owingeh (San Juan) artist's work will be honored on this year's poster.

Montoya, who will be 95 during the month following Indian Market, has been both a legend and an institution in Native American art. Her painting that will appear on the poster depicts a number of young Indian women engaged in typical Pueblo crafts. Each wears traditional clothing while they create pottery, weave, embroider and work on moccasins. The painting was created in 1938. The original hangs in the Museum of Indian Arts and Culture.

Montoya's appointment and the poster design were revealed at a special luncheon in Santa Fe on February 10, 2010. She is quoted in the Santa Fe New Mexican as reflecting that "doing the old things brings back memories from years ago, the things that just aren't done much any more."

For more information about Montoya's colorful like, which has been devoted to art, use this link http://www.santafenewmexican.com

This development leads me to wonder if recent awards at Indian Market didn't push the edge of traditional Indian art a little too far into the non-traditional. I recall thinking that numerous winners in the past couple of years, while adventurous and thought-provoking, had moved a long way from the subjects and techniques that have characterized the genre in the past. These are aspects that had established a large and vibrant pool of supporters and buyers.

I wonder if push back from buyers who have decided to sit on their purses - for whatever reason - may have played a role in this return to the roots of Native American Indian art.

In any case, I applaud the recognition of more traditional techniques and the honor bestowed on Geronima Cruz Montoya, who deserves it.

What do you think?

Monday, February 01, 2010

January 31, 2010 -- Aboriginals: Art of the First Person, doing business on the Web at http://www.tribalworks.com is offering all its Australian Aboriginal art at 30% off through February 28, 2010.

The selection includes major dot paintings by renowned artists such as Gabriella Possum, Pansy Napangati, Eunice Napangardi and Janet Forrester; bark paintings by Djawida, Mardday, Maymuru and others; various Tiwi and Yirrkala carvings and various prints. All will be sold at 30% off the listed price.


To take advantage of the sale, buyers should visit the web site at http://www.tribalworks.com/Australian-Aboriginal-art-buyers-guide.htm , use the secure, encrypted order form to place their order and enter the code “Insider” in the item description area. Reductions of 30% will be taken from the listed price upon completion of the sale.


All items are authentic, guaranteed and returnable within 30 days if they do not satisfy the purchaser’s expectation. These are works of fine art and folk art that the owners of Aboriginals Gallery have cherry-picked over the last 30 years. They were previously on display in the Sanibel Island gallery shop, which has been closed.


Shipping charges will be negotiated prior to sale based on the destination and mode of transport desired by the buyer.


William Ernest Waites, owner of Aboriginals Gallery, stated, “We regret having to dispose of these beautiful items, which we have painstakingly collected during trips to Australia. This is a great opportunity for Australian buyers, however, as the Australian dollar has strengthened to the point it is almost at parity with the US dollar.”


Susanne Waites, co-owner, added, “All of these works carry with them strong and happy memories for us. We hope we can find good homes for them.”


TribalWorks.com trades exclusively on the web or in Fort Myers, FL by appointment only. Call 1-800-305-0185 with questions.


Aboriginals: Art of the First Person also operates websites at http://www.ZuniLink.com, http://www.Native-JewelryLink.com and http://www.Native-PotteryLink.com

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Tuesday, January 05, 2010

Turquoise is in...but for how long?

According to McClatchy News Service (January 2, 2010), “decoristas” have determined that 2010 will be the year of the color turquoise in home décor. Pardon my skepticism. I remember when lime green was the color of choice in modern appliances, followed by goldenrod yellow. Those colors on appliances now are a pretty good indicator that the 50s was the last time a kitchen was updated. Perhaps turquoise will do better, and have a lifespan somewhat longer than that of a donut in a squad room.

Anyway, if the color turquoise is in, how much more “in” will actual turquoise jewelry be?” Based on its history, turquoise stones will be popular and beautiful for centuries.


We’ve long known that turquoise is a special s
ubstance. The United States Geological Survey (USGS) describes the color as “robin’s egg blue”. But the stone is much more versatile. It presents in shades of dark blue to greens. It is often at its most attractive when it shows threads of matrix or variations within a single specimen from blue to green.


The earliest uses of turquoise have been traced back to
Egypt at the time of the Pharoahs. The USGS also believes that turquoise has been used by Native Americans and Indian tribes in Mexico since 200 B.C. Many cultures believed turquoise had special curative and protective qualities, indicated by changing color if the wearer became ill.


In the American Southwest, the ruins of Chaco Canyon, believed to be the center of massive pre-historic trade route, have revealed extensive evidence of turquoise specimens and nuggets. Turquoise has since found its way in to Native American jewelery as cabochons set in sterling silver and gold, in complex inlays, and as nuggets and heishi in pueblo creations.


It is clearly the most important gemstone used in American Indian rings, bracelets, necklaces, pins, earrings and pendants.
It is often combined with other attractive substances such coral, shell, lapis lazuli, sugilite, mother of pearl and opal.


Mines in the American Southwest have been a source of turquoise used by these and other American artists and craftspeople. Despite its origin in large, early deposits in Persia and China, most of the best quality turquoise today is mined in the United States.


Where did the name turquoise come from?
Some believe it was so named because Turkey, while not a producer of turquoise, was an important transit point for turquoise on its way to European markets. For the record. chemically, turquoise is a hydrous phosphate of copper and aluminum.


Turquoise also has played an important role in fetish carvings created by Zuni Pueblo Indians, as part of their belief system. Today, it often is used to create the charming animal carvings that simulate true fetishes and are sold to a growing body of avid collectors.



In finer grades, turquoise has been highly valued as an ornamental stone for centuries.
In recent times, the value of turquoise has been somewhat undercut by treatments, imitations, and synthetics.


Native American carvers and jewelers will use any good grade of turquoise, although they may prefer that which is mined locally. A bigger problem for American Indian artisans is the influx of imported imitations that are not actually turquoise and therefore can sell for significantly less in jewelry that purports to be “real.”


It is enough of a threat to Native American culture and livelihood that the Federal government passed a law, the Indian Arts & Crafts Act, requiring all imported jewelry to carry a tag or sticker identifying its country of origin
. Attempts to pass off imports as authentic Native American work are against the law and punishable by fines.


Unfortunately, enforcement of the law does not rise very high on the priorities of Federal agents and, therefore, the incidence of violation is high. The Indian Arts & Crafts Association (IACA) was formed by Native American artists, and those who collect and sell their work, to support enforcement of the law. Members are required not to represent any products as Native American-made if they are not in fact made by American Indians. Aboriginals is a member of longstanding in the IACA.


As an aside, turquoise is traditionally considered the birthstone for those born in December.


As phosphate, turquoise is fragile by nature and sensitive to attacks on its finish and color from various solvents; perfumes and cosmetic solutions.
Skin oils and cleaning fluids will also take their toll.

  • Keep your turquoise out of prolonged direct sunlight to void discoloration or dehydration of the material.
  • If you are applying cosmetics, sunscreen or hair spray, do so before putting on turquoise jewelery.
  • After use, turquoise should be gently cleaned with a soft cloth. This will avoid the accumulation of foreign material on the stones and settings.
  • Store turquoise gems in their own containers to avoid harder gems scratching them. But it is best not to store turquoise in airtight containers. It benefits from being able to “breathe”.

For more information about turquoise and to follow the online conversations of those who mine, cut and collect American turquoise, visit Americanturquoisemines@yahoogroups.com

Regardless of the year, turquoise will enrich your life with beauty as jewelry or carvings.
Aboriginals: Art of the First Person offers numerous examples of this beauty on its web sites at Native-JewelryLink.com and Zunilink.com. You’re invited to visit and see for yourself.

Wednesday, December 23, 2009

Just a Holiday Wish

Two days before Christmas day, the post office tells us it is too late to deliver, even overnight, before Christmas Morning. Therefore our web sites at Native-JewelryLink, Native-PotteryLink, TribalWorks and ZuniLink are unable to fulfill Christmas gift orders in a timely way.

So, this is a perfect time simply to wish all of our loyal customers and readers a Merry Christmas and a New Year filled witth happiness and prosperity.

Thank you for spending this year with us. We hope you will come back and see us in 2010.

Susanne and William Waites

Friday, December 18, 2009

Indians Dance at Native American Art Show in Cape Coral, FL

About a week ago, with our continuing interest in Native American art, as evidenced at our web sites (ZuniLink, Native American jewelry, Native American pottery and TribalWorks), we spent an afternoon at a Native American art show in Cape Coral, Florida. We were attracted to some degree by the incongruity of Native American art in this venue. Nevertheless, it was a satisfying experience.

We encountered a Native American artist, Susie Longhair, Cocopah, that we had not met before. We were struck by the ingenuity and attractiveness of her jewelry creations. We posted about it a few days back and included some photos of items we acquired.

This posting, however, is about dancing that was demonstrated by Native American Indians present at the show. The dance presentation included some instructive narrative about the dances, some of which we were able to capture on video. But, given the limited recording time available on the video camera, we chose to concentrate on the dances. So here they are:


For another look at aspects of Native American culture, visit our web sites at Native-JewelryLink.com for examples of expert Native American jewelry, Native-PotteryLink.com for examples of beautifully created Pueblo and other Indian pots, and ZuniLink.com for fetish carvings by Zuni and other Native peoples. Thank you.

Australian government to implement Resale Royalty Rights for visual artists.

(William & Susanne Waites, proprietors of Aboriginals: Art of the First Person, report on news and events influencing the tribal art market.)

In legislation passed this November, the Australian Parliament has created a law that will require payment of a royalty of 5% of the resale price of a work of art to the artist, if still living, or to the artist's estate for seventy years following the artist's death.

There are conditions, but profitability is not one of them. If a gallery (or private owner, one presumes) sells the art for less than was paid for it, a 5% royalty still must be paid. At this point, the royalty is only payable on a sale exceeding $1,000.

We have commented earlier, when this law was being vetted, our concern that the unintended consequences of the law will be more damaging than the benefits, if any.

For example, if a gallery is required to pay 5% of the sale price of work that they may lose money on, how eager will they be to purchase art by unknown or emerging artists? Will this stunt the market for those without establish reputations?

Will the market see and automatic increase in pricing of more than 5% to cover the cost of the royalty? Will this also have a depressing effect on the art market?

Will this external market control, as with many well-intended moves, end up doing damage to the interests of the artists it seeks to protect?

Fortunately, all of the Australian Aboriginal works in our inventory at http://www.tribalworks.com/Australian-Aboriginal-art-buyers-guide.htm
are exempt until they are sold in the Australian market a second time.

You could consider it a 5% discount.

Tuesday, December 15, 2009

Two More Days of Free Shipping

Since we understand from the USPS that they still can deliver priority packages by Christmas if they are mailed no later than December 17, we have extended our free shipping offer until the close of Post Office business on 12/17.

This offer extends to any jewelry or fetish carving shipped by USPS Priority to any point in the US. We may be able to apply it to other items from our other web sites at TribalWorks and Native-PotteryLink too. Ask us.

Finally, if you are absolutely desperate and still have not ordered by December 22, all is not lost. FedEx is available for over night delivery. It is not free and it is a little on the expensive side. But it will get there in time.

We just sent an item via FedEx to a member of the military who is about to deploy, so overnight delivery was an absolute must. We were happy to pitch in and share the cost of the shipping as a our small way of saying "thank you" to the defenders of our freedom.

May your holidays be shiny and bright, like the Native American jewelry we offer, and your New Year be filled with healing, like the Zuni fetishes we sell.

Susanne and William

Sunday, December 13, 2009

A Pleasure to meet a NEW Native American artist.

One of the great treats of this vocation/avocation is the opportunity to meet new artists. It is especially rewarding when you do so in unexpected places.

We decided to go the the Native American art show in Cape Coral, FL. It is the next town over from us and we were curious about what kind of a crowd and exhibitors it would attract.

The crowd was small, but enthusiastic on a beautiful, cool Florida day. There were Indian dancers. I shot a video of some of the action. It will be posted here shortly.

First, however, I want to introduce you to the work of an artist we met for the first time at this event.

Her name is Suzie Longhair. She is a Cocopah Indian, which describes as a tribe related to the Maricopa. Her ancestral home is in Arizona.

We were struck by her work in a genre we had not seen before. She gathers shells and beads and other found items into works of Native American jewelry art.

They are hand-sewn to pieces of fabric with pin mechanisms and hooks so that the may be worn as pins or attached to chain or string as pendant.


Here are four that we picked up to offer to you.This one is a slice of brown-tinged ammonite surrounded by beads
in complimentary purples. It has both a pin and a pendant loop
attached to the fabric back. The size is 2" x 2 1/2".
It will be $135 when it gets posted to
our web site.
If you purchase it here, it's yours for $115.


This one is a bit eclectic, combining as it does a replica of an
African mask with complimentary shells and beads.
The size is 2 3/4" x 2 3/4". It will be $165
when it gets to
our web site. Right now it is $150.


This one is predominantly golden in hue. (Sorry about the photo;
I can sendbetter if you request it.) It is 3 1/4" x 2 3/4"
and is done in the form of a butterfly.Once it gets
to the web site it will be $155. Buy it now for $140.



Perhaps the most striking is the ultra-elegant dragonfly done
in all black beads and bits. The dragonfly is highly revered
in native culture as a harbinger of rain. This pin/pendant
will be $125. An early bird will get the dragonfly for $110.


Bonus time: Each of these unique creations comes with complimentary-colored fabric pouch to keep it safe in a jewelry drawer. No extra charge.

If you are interested, don't delay. These are the only ones we have of these. And we can still get one to you by Christmas if you act now.


Two days left for free shipping

We will ship any purchase from our ZuniLink and Native American jewelry sites free via USPS Priority to any point in the US.

Priority will have it to you in time for holiday giving.

Of course, if the person who receives your gift wants to return it, we will accept returns through January 3, 2010. No questions asked. All we do ask is that the item be in the same condition as it was shipped.

Merry Christmas, Happy Hannakuh and a prosperous New Year to all.

The online addresses again:

http://www.ZuniLInk.com for outstanding fetish and other carvings by Zuni Indians and other Native Americans and

http://www.Native-JewelryLink.com for Native American Indian jewelry that is certain to please a flatter any recipient.

Saturday, December 05, 2009

Gold! in Native American tribal art jewelry!!

I last wrote about Native American jewelry in gold back when that precious metal was less than $800 an ounce. Even then, I pointed out that this was a good time to buy gold jewelry from us because our prices had not increased at the pace of the replacement cost of gold.

I also recall talking with Artie Yellowhorse, a fabulous Navajo jewelrymaker who used to do a lot of work in gold (right). It was about three years ago. At that time, she said she was not doing anything more in gold. It had become too expensive for her.

We have not acquired anything made with gold - granted it is 14k, not pure (24k) - in several years. So all the gold and gold overlay pieces we offer had their prices set according to what we paid when gold was less than $800 per ounce.

An example is this exquisite 14k gold pendant (left) in the shape of a whale fluke, with inlay of opal. It includes a 14k gold chain.

Today gold is hovering just below $1,200 per ounce. All those television commercials selling gold bullion suggest it is going higher. But our prices are still where they were three years ago, when gold was much less expensive.

So we repeat our observation that this is a bargain time to buy gold and gold overlay jewelry from Native-JewelryLink. Just click on the link to go to our primary case for Native American gold jewelry.

By the way, we are offering free USPS Priority shipping for Christmas, with guaranteed pre-Christmas delivery, on any Native American jewelry order placed by December 15.

Merry Christmas and Happy Holidays!

Wednesday, December 02, 2009

The Perils of Paying - A Tribal Art Morality Tale.

Aboriginals: Art of the First Person, host of Tribal Artery and web sites at ZuniLink, Native-JewelryLink, Native-PotteryLink and TribalWorks, regularly surveys the news-sphere to bring readers news of interest concerning the art world.

The Santa Fe New Mexican has reported on an IRS tax raid on a Santa Fe art gallery as part of an alleged tax investigation.

According to the New Mexican, numerous federal agents entered the Torres Gallery on Water Street and confiscated scores of works by gourd artist, Robert Rivera.

Buried in the story was an interesting report that federal agents took issue with whether or not some of the items confiscated were owned by the gallery, the result of gallery owners having paid for them, or were present in the gallery on consignment from the artist. In the latter case, they qualify as property of the artist, who appears to be the target of the action. In the former case, however, they would be the property of the gallery and not be subject to seizure in settlement of a tax judgment.

The gallery manager, Frank Quintanar, is reported as having said he had trouble convincing the federal agents that some items were paid for and, therefore belong to someone other than the artist.

The lessons to be learned from this?

If you are a gallery owner or dealer, retain all receipts or other proof of purchase in a place where it can be easily accessed. Visits from the authoritiea are seldom announced in advance.

If you are a collector, remove your purchase from the gallery or store premises immediately upon completing your purchase. You do not want to be caught in the middle between the government and an artist who may or may not be delinquent on tax payments.

Monday, November 23, 2009

Free Shipping of Native American art & jewelry

As the year-end holidays roll towards us, many of you are thinking of what to give your favorite aunt or friend or even children. (We have one client who buys a new fetish carving for her son every year as a way of encouraging him to appreciate Native American art and culture and to get him into collecting.)

When you visit our web sites at ZuniLink and Native-JewelryLink, please keep in mind that we will pay for shipping to you or the person you are giving to, from now through December 15. Pre-Christmas delivery is guaranteed if we receive your paid order by December 15.

We also guarantee satisfaction through January 5 so that you or gift your receivers can change your minds about any piece you order.

We also will provide free shipping for most items of Arctic and Navajo folk art at TribalWorks. If you see something you like ask about our shipping policy for the Holidays. We will work with you.

Thank you and please have a grateful Thanksgiving.

Friday, November 20, 2009

Tribal Art: The New Felony?

Did you know that the person who sells art to you could be a felon? Or you could be one for purchasing any art with a component of wood or plant fiber?


Yep.


According to provisions in the Food, Conservation, and Energy Act of 2008, aka Public Law 110-246, an amendment to the Lacey Act that is included in the bill makes all wood a federally regulated, suspect substance.


To quote from the blog, Classical Values, “Either raw wood, lumber, or anything made of wood from tables and chairs, to flooring, siding, particle board, to handles on knives, baskets, chopsticks, or even toothpicks has to have a label naming the genus and species of tree that it came from and the country of origin. Incorrect labeling becomes a federal felony.” And the law applies to any wood product that is in interstate commerce within the country.


Here are excerpts from a summary of the law, once again as provided by Classical Values:

“Anyone who imports into the United States, or exports out of the United States, illegally harvested plants or products made from illegally harvested plants, including timber, as well as anyone who exports, transports, sells, receives, acquires or purchases such products in the United States, may be prosecuted.”

[…]

“Violations of the Lacey Act provisions for timber and other plant products, as well as fish and wildlife, may be prosecuted through either civil or criminal enforcement actions. Regardless of any prosecution, the tainted plants may be seized and forfeited.”


So, according to this law and this interpretation of it, anyone who sells you a wood carving, a basket, or an object of art with a wood component, such as a picture frame, and anyone who buys it, without a label as to genus and species of wood and country of origin, can be subject to prosecution of committing a felony. And you can be prosecuted for buying and having it.


Yes, there is a requirement that interstate commerce have been included. But almost everything we sell and own these days was involved in interstate commerce at one time or another.


While all would have to agree that the chances of anyone being prosecuted is remote, it is also true that once the Feds have you in their sights, they can and will use anything to get you. I recall hearing that they never could arrest Al Capone for anything, due to insufficient evidence, until they caught him with an open cigarette pack on which the federal tax stamp had not been destroyed.


Equally of concern is the possibility that materials can be confiscated and not returned, regardless of the outcome of any prosecution.


There have been recent stories of Federal agents raiding and confiscating collections of Native American tribal artifacts on the premise that the items were acquired illegally and in violation of Federal law. Granted, some pieces confiscated do fall under Federal prohibitions. At the same time, many pieces are confiscated that do not constitute contraband. These may be held for long periods, even indefinitely, during investigations.


Keep this in mind as you consider selling or purchasing any goods that fall within the purview of the Lacey Act as amended by Public Law 110-246.


Is anyone safe?


This report is provided by Aboriginals: Art of the First Person, online dealers in African, Australian and Native American tribal art.


We also offer Native American jewelry, Native American pottery and Native American stone carvings online.

Saturday, November 14, 2009

Reviewing Aboriginal Art Shows

In a recent blog at Aboriginal Art & Culture: an American Eye, Will Owen reviews two Aboriginal art shows in Washington, DC.

The Washington, DC shows were Australian Indigenous Art Triennial: Culture Warriors and Lands of Enchantment: Australian Aboriginal Paintings.

Owen's review dwells heavily on the hanging of the show, while spending some of his words also discussing the quality of the works presented.

Since we, unfortunately, have not been able to attend either show, we are not prepared to validate Owen's opinion of the presentation aspects of the shows.

But as fans, collectors and dealers of Australian Aboriginal art, we can enthusiastically share his passion for works that were hung, and his appreciation that shows focusing on Australian Aboriginal art
even were made available to American audiences.

We encourage you to visit Owen's blog site (using the link above) to read his review, and, if you want to see more of this stimulating Australian Aboriginal art, to visit our website, http://www.TribalWorks.com/Australian-Aboriginal-art-buyers-guide.htm.

Thank you

Saturday, October 24, 2009

Tribal Art Holiday Loyalty Sale - Starts Now. Save 25%

Do I smell turkey roasting? Hmm.


Thanksgiving must be near.


That means it’s time for Aboriginals’ Annual Holiday Loyalty Sale.


From today through November 22, 2009, we are offering our loyal e-newsletter and this blog subscribers 25% off every purchase.


Give the love of your life a beautiful authentic Native American jewelry bracelet, pendant or other item of adornment at 75% below the regular price.


Save 25% on a beautiful Native American Pueblo pot, storyteller or Nativity set.


Any fetish collector in your circle will be gratefully impressed by a Zuni, Cochiti, San Felipe or Navajo carving.


Check out our extraordinary collection African tribal masks and carvings, charming Inuit items, make-you-smile Navajo folk art pieces and traditional tribal art by world-class Australian Aboriginal artists.


Everything on our websites is yours at 25% off the listed price. Just include this code – “Tribal 2009” - in your order. We’ll take the 25% off at “check-out”.


(We are not changing the listed prices on the web site because these discounts are available only to loyal subscribers and when the sale is over on November 23, the original prices will stand.)


Don’t wait too long. Choice items will go first. And we will need time to ship before Christmas.


Thank you for your loyalty.

Friday, October 23, 2009

ATADA Theft Alert - Native American jewelry

The Antique Tribal Art Dealers Association has posted a new alert concerning thirty-five pieces of antique American Indian Jewelry stolen from a Tucson, Arizona gallery on October 15 2009.

A full report on the stolen pieces of Native American Indian jewelry can be accessed on the ATADA theft alert page, http://www.atada.org/theft.html#sublette2009.

ATADA issues these alerts and we at Native-JewelryLink.com forward them based on experience that widely publicizing the theft and the items involved makes it difficult for the thieves to fence or sell them. If the thieves attempt to sell the items, someone in the field may recognize one or more of the stolen pieces and report the thieves to the police.

It is a crime to possess stolen property. Note that there is no statute of limitations on stolen property in the USA. Let the buyer beware!

Monday, October 19, 2009

Go Pink for the Cure with this Pink Shell Native American necklace

In support of Susan G. Komen for the Cure, Aboriginals: Art of the First Person will donate 40% of the purchase price of this stunning sterling silver and pink shell Navajo necklace to the Susan G. Komen for the Cure Organization's efforts to find a cure for breast cancer.


Adorn yourself or someone you love with this elegant choker-style necklace and Susanne Waites, proprietor of Aboriginals: Art of the First Person and operator of the web site, Native-JewelryLink will donate 40% of the purchase price to this worthwhile cause. The contribution will be made in the name of the purchaser.

When others notice your necklace you can use it as an opportunity extend awareness of the Susan G. Komen for the Cure efforts.

You can see an enlarged photo of this beautiful piece of authentic, Native American Navajo jewelry by clicking on the photo above.

Saturday, October 10, 2009

Revisiting Australian Tiwi Aboriginal art

An update on Tiwi art in Australia by William Ernest and Susanne Waites, owners of Aboriginals: Art of the First Person.

As you may know Susanne and I once lived in Australia, which was where we developed our love for tribal art. That affection started with the art of Australian Aborigines.


As our exposure increased and expanded, we traveled to many Aboriginal sites in the country. One of our favorites, to which we paid a repeat visit during our last travel to and through Australia, was the
Tiwi Islands of Bathurst and Melville.

These
two island, sitting where the Arafura Sea meets the Timor Sea, about 50 miles offshore from Darwin, NT, are unique even vs. Aboriginal communities elsewhere in Australia.

They have a different history and the inhabitants speak a different language. As a result, the art created by the Tiwi people has its own distinctive character.


Melville Island, the larger of the two is second only to Tasmania in area. Bathurst Island is smaller but in many respects more significant since it is home to Nguiu, site of an airport, and the most prominent of three Aboriginal Art Centres on the islands. A narrow strait, the Aspley Strait,
separates the two islands.


The physical sensation of the Tiwi islands is one of pungent aromas, heavy humidity and a hot, jungle tropical quality. The smells of local flora hang heavy in the air. The sense of remoteness from the rest of the world and the rest of Australia is intensified by the surrounding stands of equatorial timber.


The Tiwi people are open, friendly and welcoming. They also are extraordinarily talented, creating paintings, prints, textile designs and ochre-painted sculptures rich with traditions of
Tiwi mythology and ceremonies. An example is the striking work done on the Pukumani poles. These are carved from ironwood and decorated with designs from the Tiwi past. A common feature of the painting is the cross-hatching used to fill negative space. Another common design element is the circle, replicating symbols associated with Tiwi ceremonies such as the Pukumani and the Kulama.

The Pukumani is a mortuary cermony, carried out over several months following the death of a Tiwi person. Tiwi belief is that the dead person's spirit remains in the living world until it is released by the final Pukumani.


The tall and sturdy Pukumani poles are placed around the burial site. They require weeks of preparation including harvesting the logs, carving the intensely grained wood and painting
ritual designs on the surface. Participants in Pukumani dance and sing around the grave and the posts.

When the ceremony is finished, the poles are left to decay, often capped by inverted bark baskets called tungas. These would have been used by the dead person during life to carry and contain food and water.


Tiwi art centres of Jilimara Arts & Crafts and Munupi Arts & Crafts, are located respectively at Milikapiti (Snake Bay) and Pirlangimpi (Garden Point) on Melville Island. Both centres are managed by coordinators assigned by the Australian government. Jilimara, which is Tiwi for "body painting" also refers to the designs painted in detail on the bodies of dancers and on the Pukumani poles. Munupi also became a center for large murals and panels an for making limited edition prints.

The third art centre is Tiwi Art and Design, near Nguiu. Tiwi Design is much more concerned with the creation of textiles designed with traditional Tiwi imagery. They find their way into silk-screened or hand-painted garments and fabrics.




All three art centres are joined in a consortium of collaboration and continuity. The old traditions of Tiwi art regularly meet the individual self-expression of younger artists. But the latter always respect the old, while extending imagery into new areas.


The days we spent on Bathurst and Melville Islands were among the most stumlating a
nd satisfying experiences we encountered with Australian Aboriginal art. Now we learn that the traditions of Tiwi art that were displayed and celebrated this year at the Telstra Awards, Australia's recognition of outstanding Aboriginal art, have encouraged even further growth and development of art and artists at the Tiwi art centres.

For further information about Australian Aboriginal and Tiwi art, we recommend the following resources:


The Australian: "Creative Worlds Collide in Tiwi Art" Aboriginal Art Online Aboriginal Art & Culture : An American Eye Museum and Art Gallery Northern Territory

We also refer you to the
Australian Aboriginal art pages at TribalWorks, our web site featuring a range of tribal art.

Sunday, October 04, 2009

Tribal Art Theft Alert

The Antique Tribal Art Dealers Asscociation has issued a new notice about stolen goods.

"A Zia Jar and a pair of American Indian Hi Top Mocs were stolen from a Santa Fe, NM
Gallery during the night of October 2, 2009. Photos and details of the stolen merchandise are posted at http://www.ATADA.org/theft.html#molloy2009.

Please check out the images posted on the Theft Alert Page and familiarize yourself with them so that you will be prepared if someone offers any of these for sale."

History proves that stolen items that receive wide publicity are almost impossible to sell. There is no statute of limitations on stolen property in the USA.

This notice is forwarded as a public service by Susanne and William Ernest Waites, dealers in tribal art and owners of web sites offering Native American Jewelry, American Pueblo Pottery, Zuni and other carvings and other African, Australian, Arctic and Native American tribal art.