Showing posts with label African tribal art. Show all posts
Showing posts with label African tribal art. Show all posts

Friday, December 24, 2010

Special sale on African mask


We are offering this authentic African tribal art mask from the Kuba people for 50% off the regular price. It has been listed in our gallery, http://www.TribalWorks.com, at $1,000.

We now will sell it at $500. The wrought iron stand is included.


It is a stunning work of African tribal mask art, authentic in every way. We acquired it for our personal collection in 1996. While the precise age can not be determeind, we know it is at least 15 years old, today.

Contact us at 800-305-0185 to arrange purchase. Thank you.

Monday, September 27, 2010

Tribal Art Native AmericanNavajo rug reported stolen

Antique Tribal Art Dealers Association, of which Aboriginals is a member, has posted anothter stolen object report.

In this case it is a Navajo Ganado Style rug that was stolen on Sept 22, 2010 from the Phioenix Tribal Arts Show.

For more information, visit the ATADA Stolen Objects page this address.

http://www.atada.org/theft.html#ganado2010

Please be alert for anyone trying to sell this rug. It is stolen property and it is against the law to possess it.

Thank you.

Saturday, May 22, 2010

This posting and the "borrowed" youtube video are presented by the proprietors of Aboriginals: Art of the First Person, who also host websites devoted to African tribal art, Australian Aboriginal art, Native American art, jewelry and pottery and art from other tribal traditions.

I stumbled across this essay on beauty and art by Philosopher Roger Scruton. It started me thinking about the role of "beauty" in tribal art.

When we look at tribal art, certainly authentic tribal art, we usually see what the artist perceived as "beautiful" within his or her culture.

I think of exquisitely carved African masks and sculpture, shimmering Native American jewelry, lovely Pueblo Pottery, Inuit carvings that please the eye and Australian Aboriginal art that may challenge Western concepts of beauty but represent attempts by those artists to create beauty in their daily life.

Moreover, given the cultural values of Aboriginal art, why would any artist want to reflect on it with shame or mockery?


So it strikes me that lovers of tribal art are privileged to apply their devotion to fields where art that mocks beauty is rare and seldom seen.

What do you think?

Monday, May 10, 2010

Upcoming Events In Native American Arts

This summary of impending events of interest to collectors and admirers of Native American Indian and other tribal art, is presented by Aboriginals: Art of the First Person and its allied web sites at Native-JewelryLink.com, for fine, hand-made Native American jewelry, Native-PotteryLink.com, for authentic Indian Pueblo pottery, TribalWorks.com for a mix of African, Australian, Arctic and Navajo folk art, and ZuniLlink.com, offering outstanding Zuni, Cochiti, Navajo and San Felipe carvings by top fetish carvers.
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May 30-31 - The annual Jemez Red Rocks Arts and Crafts Show at Jemez Pueblo - Call 505-834-7235

June 7 - Bonhams' Native American and Pre-columbian Art Auction - San Francisco - Call 415-861-7500

June 18-20 - Red Earth, America's Greatest Native American Cultural Festival - Oklahoma City - Call 405-427-5228

June 24 - Taos Pueblo San Juan Feast Day - Taos Pueblo - No cameras allowed.

June 25-27 - Cody Old West Show and Auction - Denver, CO - Call 307-587-9014

July 2-4 - Annual Hopi Festival of Arts and Culture - Museum of Northern Arizona, Flagstaff, AZ - Call 928-774-5213

July 9-11 - Taos Pueblo Pow Wow - Taos Pueblo, Taos, NM - Call 575-758-1028

July 24-25 - High Country Arts and Crafts Festival - Eagles Nest, NM - Call 574-377-2420

July 25-26 - Taos Pueblo Feast Days of Santiago and Santa Ana - Taos Pueblo - Taos, NM

August 6-8 - Navajo Festival of Arts and Culture - Museum of Northern Arizona - Flagstaff, AZ

August 6-8 - Great Southwestern Antiques, Indian and Old West Show - New Mexico Fairgrounds - Albuquerque, NM - Call 505-255-4054

August 12-14 - Annual Antique Ethnographic Art Show - Santa Fe Community Convention Center - Santa Fe, NM - Call 505-992-8929

August 12-16 - Annual Inter-Tribal Ceremonial - Red Rocks State Park - Gallup, NM - Call 505-863-3896

August 13-22 - Santa Fe Show-Objects of Art - Santa Fe, NM - Call 310-456-2120

August 14-15 - Allard's Best of Santa Fe Auction - Scottish rite Hall - Santa Fe, NM - Call 888-314-0343

August 15-17 - Annual Invitational Antique Indian Art Show - Santa Fe Community Convention Center - Santa Fe, NM - Call 505-992-8929

August 19-20 - Wheelwright Museum Annual Silent Auction and Live Auction - Santa Fe, NM

August 21-22 - Santa Fe Indian Market - Santa Fe, NM - On and around the Plaza

Saturday, April 24, 2010

African tribal art collection goes to auction

Authentic African tribal art in a collection from a private collector in Ohio, will be offered at Dan Morphy Auctions on May 13-15, 2010, according to the web site, ArtYouKnow.com

The collection is comprised of items that were carved in Africa, according to art dealer and appraiser, Oumar Keinde. Keinde stated that the items in the collection are geared mostly for entry level buyers and those who seek African art for purposes of decor They range from between 1950 and the late 2oth century.

For more information , visit ArtYouKnow.com.

Similar items are available from the collection of susanne and William Waites at Aboriginals: Art of the First Person's online gallery at TribalWorks.com

Tuesday, January 05, 2010

Turquoise is in...but for how long?

According to McClatchy News Service (January 2, 2010), “decoristas” have determined that 2010 will be the year of the color turquoise in home décor. Pardon my skepticism. I remember when lime green was the color of choice in modern appliances, followed by goldenrod yellow. Those colors on appliances now are a pretty good indicator that the 50s was the last time a kitchen was updated. Perhaps turquoise will do better, and have a lifespan somewhat longer than that of a donut in a squad room.

Anyway, if the color turquoise is in, how much more “in” will actual turquoise jewelry be?” Based on its history, turquoise stones will be popular and beautiful for centuries.


We’ve long known that turquoise is a special s
ubstance. The United States Geological Survey (USGS) describes the color as “robin’s egg blue”. But the stone is much more versatile. It presents in shades of dark blue to greens. It is often at its most attractive when it shows threads of matrix or variations within a single specimen from blue to green.


The earliest uses of turquoise have been traced back to
Egypt at the time of the Pharoahs. The USGS also believes that turquoise has been used by Native Americans and Indian tribes in Mexico since 200 B.C. Many cultures believed turquoise had special curative and protective qualities, indicated by changing color if the wearer became ill.


In the American Southwest, the ruins of Chaco Canyon, believed to be the center of massive pre-historic trade route, have revealed extensive evidence of turquoise specimens and nuggets. Turquoise has since found its way in to Native American jewelery as cabochons set in sterling silver and gold, in complex inlays, and as nuggets and heishi in pueblo creations.


It is clearly the most important gemstone used in American Indian rings, bracelets, necklaces, pins, earrings and pendants.
It is often combined with other attractive substances such coral, shell, lapis lazuli, sugilite, mother of pearl and opal.


Mines in the American Southwest have been a source of turquoise used by these and other American artists and craftspeople. Despite its origin in large, early deposits in Persia and China, most of the best quality turquoise today is mined in the United States.


Where did the name turquoise come from?
Some believe it was so named because Turkey, while not a producer of turquoise, was an important transit point for turquoise on its way to European markets. For the record. chemically, turquoise is a hydrous phosphate of copper and aluminum.


Turquoise also has played an important role in fetish carvings created by Zuni Pueblo Indians, as part of their belief system. Today, it often is used to create the charming animal carvings that simulate true fetishes and are sold to a growing body of avid collectors.



In finer grades, turquoise has been highly valued as an ornamental stone for centuries.
In recent times, the value of turquoise has been somewhat undercut by treatments, imitations, and synthetics.


Native American carvers and jewelers will use any good grade of turquoise, although they may prefer that which is mined locally. A bigger problem for American Indian artisans is the influx of imported imitations that are not actually turquoise and therefore can sell for significantly less in jewelry that purports to be “real.”


It is enough of a threat to Native American culture and livelihood that the Federal government passed a law, the Indian Arts & Crafts Act, requiring all imported jewelry to carry a tag or sticker identifying its country of origin
. Attempts to pass off imports as authentic Native American work are against the law and punishable by fines.


Unfortunately, enforcement of the law does not rise very high on the priorities of Federal agents and, therefore, the incidence of violation is high. The Indian Arts & Crafts Association (IACA) was formed by Native American artists, and those who collect and sell their work, to support enforcement of the law. Members are required not to represent any products as Native American-made if they are not in fact made by American Indians. Aboriginals is a member of longstanding in the IACA.


As an aside, turquoise is traditionally considered the birthstone for those born in December.


As phosphate, turquoise is fragile by nature and sensitive to attacks on its finish and color from various solvents; perfumes and cosmetic solutions.
Skin oils and cleaning fluids will also take their toll.

  • Keep your turquoise out of prolonged direct sunlight to void discoloration or dehydration of the material.
  • If you are applying cosmetics, sunscreen or hair spray, do so before putting on turquoise jewelery.
  • After use, turquoise should be gently cleaned with a soft cloth. This will avoid the accumulation of foreign material on the stones and settings.
  • Store turquoise gems in their own containers to avoid harder gems scratching them. But it is best not to store turquoise in airtight containers. It benefits from being able to “breathe”.

For more information about turquoise and to follow the online conversations of those who mine, cut and collect American turquoise, visit Americanturquoisemines@yahoogroups.com

Regardless of the year, turquoise will enrich your life with beauty as jewelry or carvings.
Aboriginals: Art of the First Person offers numerous examples of this beauty on its web sites at Native-JewelryLink.com and Zunilink.com. You’re invited to visit and see for yourself.

Friday, November 20, 2009

Tribal Art: The New Felony?

Did you know that the person who sells art to you could be a felon? Or you could be one for purchasing any art with a component of wood or plant fiber?


Yep.


According to provisions in the Food, Conservation, and Energy Act of 2008, aka Public Law 110-246, an amendment to the Lacey Act that is included in the bill makes all wood a federally regulated, suspect substance.


To quote from the blog, Classical Values, “Either raw wood, lumber, or anything made of wood from tables and chairs, to flooring, siding, particle board, to handles on knives, baskets, chopsticks, or even toothpicks has to have a label naming the genus and species of tree that it came from and the country of origin. Incorrect labeling becomes a federal felony.” And the law applies to any wood product that is in interstate commerce within the country.


Here are excerpts from a summary of the law, once again as provided by Classical Values:

“Anyone who imports into the United States, or exports out of the United States, illegally harvested plants or products made from illegally harvested plants, including timber, as well as anyone who exports, transports, sells, receives, acquires or purchases such products in the United States, may be prosecuted.”

[…]

“Violations of the Lacey Act provisions for timber and other plant products, as well as fish and wildlife, may be prosecuted through either civil or criminal enforcement actions. Regardless of any prosecution, the tainted plants may be seized and forfeited.”


So, according to this law and this interpretation of it, anyone who sells you a wood carving, a basket, or an object of art with a wood component, such as a picture frame, and anyone who buys it, without a label as to genus and species of wood and country of origin, can be subject to prosecution of committing a felony. And you can be prosecuted for buying and having it.


Yes, there is a requirement that interstate commerce have been included. But almost everything we sell and own these days was involved in interstate commerce at one time or another.


While all would have to agree that the chances of anyone being prosecuted is remote, it is also true that once the Feds have you in their sights, they can and will use anything to get you. I recall hearing that they never could arrest Al Capone for anything, due to insufficient evidence, until they caught him with an open cigarette pack on which the federal tax stamp had not been destroyed.


Equally of concern is the possibility that materials can be confiscated and not returned, regardless of the outcome of any prosecution.


There have been recent stories of Federal agents raiding and confiscating collections of Native American tribal artifacts on the premise that the items were acquired illegally and in violation of Federal law. Granted, some pieces confiscated do fall under Federal prohibitions. At the same time, many pieces are confiscated that do not constitute contraband. These may be held for long periods, even indefinitely, during investigations.


Keep this in mind as you consider selling or purchasing any goods that fall within the purview of the Lacey Act as amended by Public Law 110-246.


Is anyone safe?


This report is provided by Aboriginals: Art of the First Person, online dealers in African, Australian and Native American tribal art.


We also offer Native American jewelry, Native American pottery and Native American stone carvings online.

Saturday, October 24, 2009

Tribal Art Holiday Loyalty Sale - Starts Now. Save 25%

Do I smell turkey roasting? Hmm.


Thanksgiving must be near.


That means it’s time for Aboriginals’ Annual Holiday Loyalty Sale.


From today through November 22, 2009, we are offering our loyal e-newsletter and this blog subscribers 25% off every purchase.


Give the love of your life a beautiful authentic Native American jewelry bracelet, pendant or other item of adornment at 75% below the regular price.


Save 25% on a beautiful Native American Pueblo pot, storyteller or Nativity set.


Any fetish collector in your circle will be gratefully impressed by a Zuni, Cochiti, San Felipe or Navajo carving.


Check out our extraordinary collection African tribal masks and carvings, charming Inuit items, make-you-smile Navajo folk art pieces and traditional tribal art by world-class Australian Aboriginal artists.


Everything on our websites is yours at 25% off the listed price. Just include this code – “Tribal 2009” - in your order. We’ll take the 25% off at “check-out”.


(We are not changing the listed prices on the web site because these discounts are available only to loyal subscribers and when the sale is over on November 23, the original prices will stand.)


Don’t wait too long. Choice items will go first. And we will need time to ship before Christmas.


Thank you for your loyalty.

Tuesday, September 08, 2009

The Desert Mob - Art in the Australian Outback

As you know as a regular reader of this blog, the authors, William Ernest Waites and Susanne Waites, collect and deal in a wide range of tribal art, including that of Australian Aborigines.

Due to our interest in the remarkabe creativity of these people, we offer this report on a recent Aboriginal Art event in Alice Springs, NT Australia.

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If you have never been to the Australian outback, it will be very difficult for you to envision the setting.


There are great stretches of red earth with desert scrub and, pretty much, nothing higher than the top of your boots. Dry river beds and washes course the earth.


In the midst of this are settlements of Australian Aboriginals who live a life incredibly close to the earth.


The major population center for all this is Alice Springs.


It's a community with a colonial quality, that would hardly be considered even a small city in the US.


(In fact, Australians don’t generally travel to the Aboriginal communities of the outback either. The government restricts the ability of non-Aboriginals to visit the settlements.)


It always amazes me that an extraordinary art movement has emerged here and flourishes here. Recently, the Desert Mob Show in Alice Springs presented this gripping art.


The Desert Mob show is all the more remarkable because of it roots in the community.


It lacks the funding many other shows have, including the recently experienced Native American Indian Market in Santa Fe, NM, USA.


Nevertheless, the vitality, fire and force of this work is more than inspiring. It is uplifting and mind-opening.


The Desert Mob is the result of a collection of Art Centers in the Australian outback that support and encourage Aboriginal artists.


Works done by these artists are brought to market and the public view at the Desert Mob Show. The show is not juried and not curated. All the art that the Art Centers choose to present is shown.


By all reports, the cumulative effect wass stunning, breathtaking, eye-fracturing beauty.


For more information, including a review of last year’s Desert Mob Show, visit this web site - http://www.nt.gov.au/nreta/arts/ascp/araluen/galleries/desertmob.html


For examples of other tribal art offered by Susanne and William Ernest Waites can be found at ZuniLink.com. Native-PotteryLink.com and Native-JewelryLink.com

Friday, July 31, 2009

From Grand Teton to Grand Canyon - Day Two

Day Two - A trip without Tribal Art

We rose early in the morning to be off to Jackson Lake Lodge to join our second guided bus tour. Besides, you go to bed early here and you rise early in the morning. Could they be healthier, wealthier and wiser?

This tour, leaving at 8:30 was destined for the southern half of Yellowstone National Park. First we had our now customary bagel and coffee in the Jackson Lake Lodge lounge; then we boarded the bus. Our guide again was Warren.

The tour was to return at 4:30 PM to Jackson Lake Lodge. So this was going to be a long day on the bus, leaving us with a late start to drive our car north to our Yellowstone lodgings.


Are you confused yet? Do you see a discomforting flaw in this plan? You are right. We should have done the full day Yellowstone tour first and the half-day Grand Teton tour second. That way we would have more time to drive to Mammoth Hot Springs to check in for this night.

Two reasons we didn't do it. First, the tours were only offered on those days. Second, we had just arrived at Grand Teton when we signed up. Apparently we had left our brain cells in the airplane.

Back to the Yellowstone tour - which was brilliant other than our poor planning. First stop was West Thumb, a geyser basin area on the west end of Yellowstone Lake. West Thumb is populated with several small geysers, hot springs and mud
bubblers.

The scene was almost lunar and the colors mystical. The bubblers are called "paint pots" because, as the boiling water seeps up out of the ground, it deposits colors in the streams and rivulets where the water drains to the lake.

This results not from minerals in the water but from certain life forms, thermophiles, that thrive in the boiling water. They are fascinating pieces of "art" resembling a cross between a Jackson Pollack and a finger-painting by a child.

Walkways have been constructed over the ground surface where the fumaroles and geysers emerge from the cauldron below. Yellowstone sits over a huge crown of fiery magma, just below the surface. In fact, they say a volcanic eruption at Yellowstone is a matter of "when", not "if".

The subsurface activity is very close to the surface in some places. The earth over it is more like a crust than solid dirt. We were cautioned not to step off the walkway lest our weight be enough to crack through the crust and give us some nasty scalding, to say the least. We also were cautioned not to test the word of the guide by sticking a finger in the water. It is boiling water. It will burn.

One of the additional interesting stories told by old timers is about the Fishing Cone, a lake shore geyser that appears as the lake level subsides in the autumn.


They tell of anglers who caught trout from the lake and immediately cook them in the boiling water.

Yellowstone Lake covers 134 square miles and is very inviting as you stand on its shore. The steaming waters draining into the lake lead one think it is a comfortable temperature for swimming. Our guide tells us, however, that its average temperature of 50 degrees means you wouldn't be able to swim 50 yards to shore without being subject to hyperthermia.

From West Thumb, we proceeded to Madison, near the West Entrance to the park. There is a nice picnic ground there and we stopped to enjoy our packed lunch. It came with the tour. While seated at a picnic table, we got a fleeting glimpse of a coyote sauntering across the area.

But the real wildlife story was the heard of bison we encountered near Madison.


Scores of bulls, cows and calves were grazing and resting in nearby fields. These are truly impressive beasts. Normally even tempered, they are not to be trifled with if they feel they or their offspring are threatened.

Leaving Madison, we headed back south toward Old Faithful. Along the way, we stopped at Firehole, a geyser that feeds the Firehole River.


The river is one of the few streams that is warm enough for swimming, largely because of the hot water fed into it from the Firehole geyser.

We also stopped at the Grand Prismatic Spring.


This large pond of steaming water presents a beautiful, powder blue body of water, surrounded by fringes of variegated color deposited by the escaping thermophiles.


Arriving at Old Faithful, we discovered two interesting surprises of this phenomenon. One is the famous geyser that fires off every 90 minutes or so and shoots 30 to 40 feet straight up. Of course, while astonishing to see, it was not so surprising since it has been reported in media for decades.

The other true surprise for us was the lodge itself. It was built with native
pine. Some were ram-rod straight lodge pole pines and some with curving trunks harvested specifically for their look when built into rafter and railings.

Clearly, Old Faithful is the most famous part of the park and the lodge is impressive. The only problem is that it is so well known and so heavily visited by lodgers and day visitors that it resembles an anthill. It was hard at times to find six square feet to stand in.


There is a porch where you can sit and wait for the next Old Faithful eruption. We arrived just as one was finishing, so we had 90 minutes to sit and enjoy a drink while seeing other less spectacular, but equally amazing, geysers sprinkled around he area.

You also can walk down to a plaza where you can stand and watch the eruption close up. As you can imagine, it gets crowded. The porch was just fine for us. A clear view and a place to sit. From either vantage point, when Old Faithful blows it is truly astounding.



We did not, however, regret not booking our lodging at the Old Faithful Lodge.

After Old Faithful did its thing, the bus left for an area called Black Sand Basin. In many ways it was the most like a moon surface of any colony of hydrothermal pools that we had seen so far. Cascades of hot, tinted water ran over a rim along the edge a stream, creating a living canvas of rainbow colors.


It was time to head back to Jackson Lake Lodge. Along the way, there were a number of delays for road construction. The other delay we ran into was a number of cars stopped on either side of the two lane road.

We learned that when you see cars gathered along the roadside
it is almost certainly a sign that important wildlife has been sighted. It's especially true if a Park Ranger's vehicle is included in the crowd. In this case, it was a grizzly bear foraging along the road embankment.


Rangers are there to protect the bears the visitors. They do this my making sure the visitors give a wide berth to the animals. It was our first grizzly sighting and, while largely obscured by all the roadside cars, we got some views of it.


We arrived back at Jackson Lake Lodge at about 5 PM. We immediately jumped in the car and headed back north to Yellowstone and our lodgings reserved at Mammoth Hot Springs.

We had to exit Grand Teton National Park and enter Yellowstone National Park, two separate entities. By presenting our Annual Senior Pass and identification, we were waved through the gate with no delay and no further cost.


One thing we learned by our preliminary incursion into the park is that some segments of the northbound road were under heavy construction. We were able select a route that was equally scenic but less congested.

This route took us north from West Thumb, along the shore Yellowstone Lake.
We drove through Bay Bridge, Lake Village, and along the Yellowstone River to Canyon Village. We saw stunning vistas and the occasional elk, but we did not have the time to stop and seriously enjoy the areas. We had to press on to Mammoth Hot Springs in order to arrive with as little dusk time driving as possible before checking in at the Lodge.

Upon arrival there, after dark, we unloaded our luggage into a smallish cabin. Not as much space as we had at Colter Bay Village, but adequate with two double beds and a pleasant front porch.


After a brief reconnoiter of the area, we went up to the Dining Room. It already had closed. The lounge, however, was open for a few more minutes. We had a glass of wine as the last call approached.
Finally, we stopped at the general store for some snacks to get us through until morning. Good night all.


We realize we have not covered Tribal Art in this blog segment. You can learn more about that by clicking through to our web site.

Monday, March 30, 2009

Tribal Art - Zemanek-Munster Tribal Arts Auction struggles

According to Web sources, the most recent Zemanek-Munster tribal art auction, held twice a year, attracted a disappointing response.

As a result, the auctioneer has initiated an aftersale to move unsold lots.

For example, this is lot 138, a heddle pulley

Heddle pulley, Baule, Elfenbeinküste

Baule - shaped corpus with incised ornaments, front and backside carved with a buffalo head, bobbin missing, min. dam., slight signs of abrasion, on wooden plate

Price: 750 €

Or this example, lot 111, a stool

Stool, Gurunsi, Burkina Faso

Gurunsi, Burkina Faso - light brown wood, spotty patina, of simple form, four strong legs supporting a nearly rectangular, slightly hollowed seat, min. dam., signs of usage and abrasion

Price: 300 €

Or this, lot 92, ape mask "ngon"

Ape mask "ngon", Bamana, Mali

Bamana, Mali - wood, shiny blackish brown patina, of oval form, a slightly protruding forehead, open worked eyes in round cavities, flanking a triangular, slightly raised nose with drilled nostrils, a broad opened mouth underneath, framed by ears with drilled holes, pierced around the rim, min. dam., slight signs of abrasion, fissures; worn by the initiates of the "koré" society. They used animal masks, thus illustrating the relationship of humans with their own animalistic features.

Price: 2500 €

You can view these and some 258 other lots at Zemanek-Munster's web site. Or see similar items of African and Oceanic tribal art at TribalWorks .

Saturday, February 21, 2009

Tribal Art - Is it growing in awareness and favor?

KIM PALMER has written in the Minneapolis Star Tribune (2/12/2009) about the growing popularity of African tribal art, which she attributes in part to the election of Barack Obama as President. Here are some excerpts:

"At first, it was kind of a fad," said Angie Scott, a St. Paul interior designer and owner of Access:Dezign. But globalization is fueling broader awareness and appreciation of other cultures and their aesthetic traditions.

For many black Americans, African-inspired design remains a celebration of cultural pride. "We're just drawn to those pieces and being in touch with our ancestry," said Scott.

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Among collectors of global antiques and artifacts, African pieces "faded to the background for 10 or 15 years, as Asian antiques came in," said Ian Grant, owner of Bjorling & Grant, an imported furniture and accessories showroom in St. Louis Park, Minn. "Now, slowly, at the upper end of the market, African pieces are coming back in."

And there's much to appreciate, Ta-coumba Aiken said. "Some of the finest crafts in the world come from all parts of Africa. It's an area of beautiful age-old design. People will start looking at Africa and will be amazed."

There's more to the story and you can read it here , as reported by the Sacramento (CA) Bee.

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Aboriginals: Art of the First Person and its web site at TribalWorks.com is excited to see a resurgence of interest in this beautiful ethnographic art. We have many pieces for sale that fall on the low end of high-end, traditional, authentic African tribal art. Check out the masks and sculptures in our African Room.
You can do more than add an African touch to your decor. You can add a art object with a rich, African tribal heritage to your experience.

A thank you tip to to Kim Palmer, The Minneapolis Star Tribune and the Sacramento Bee, who brought this story to our attention.

Friday, February 20, 2009

Tribal Art - Sotheby's auction - The Sculptor's Eye

Courtesy of Antique News, we learn that Sotheby's New York has scheduled a major auction of tribal art from the Gross collection of African and Oceanic Art.

May 15, 2009 is the date.


The collection was amassed by Chaim and Renee Gross during the 1940s and 1950s.

For more information, visit www.sothebys.com.

Wednesday, January 21, 2009

Tribal Artery has joined AVCOSA

We have joined the Antique Vintage Collectibles Online Sellers Association. We believe in supporting others in our field.

Sunday, January 18, 2009

African Tribal Art - The Story of Shango

Posted by William Waites, Aboriginals Gallery/TribalWorks under Tribal Art

A small boy hunches down on the earthen floor, his back against the wall of his family’s hut. His knees are tucked up under his chin. His arms hold them tight.


Each boom of thunder and each lightning crack sends a shudder through his body.

The rain comes down in waves, pounding on the thatch of the roof and rolling off to the ground. As water saturates the ground, it washes away layers of surface dirt, exposing stones previously hidden.


The rain stops. The boy comes out from the safety of his hut and starts to gather up stones, many of which look like axe-heads.


“Look, Papa,” he cries in his native tongue, “Shango!”


~~~~~~


The reference is to Shango, the orisha (or god) of lightning and thunder. The axe-head stones, also known as celts, are symbolic of this important personage in Yoruba mythology.


According to legend, Shango was the fourth king of the Yoruba nation, Oyo. He had a whimsical and capricious nature. He was captivated by magic and careless in his use of his powers. He inadvertently cast down lightning strikes on his village, killing his wives, family and villagers. Overwhelmed with grief, he left the kingdom (some say he was banished) and killed himself.


When others in Oyo began to mock him after death, the kingdom encounterd a spate of severe and violent weather. This made his supporters angry. They elevated Shango to the status of god or orisha. In that capacity, as the god of thunder, lightning and fire, he continues to throw down axe-shaped stones symbolic of the way lightning chops through the sky.


When torrential rains reveal the stones that laid buried beneath the topsoil, the legend of Shango is reinforced.


Today, Yoruba is the most populous tribe in Africa, located primarily in Nigeria, where thousands of tribe members worship Shango. While the story that started this tale may never have happened, it is easy to imagine that, at some time in ancient Yoruba history, it did.


Shango devotees dance at annual ceremonies and other events with carved wood wands. Variants on the double-celt are apparent, often supported by a carved human figure, in an arrangement that suggests dominance over the figure. The most common figures are female, usually kneeling and offering one or both breasts as an act of supplication. These wands are called, “oshe shango”.


As Yoruba people migrated to the Western Hemisphere, mostly involuntarily on slave ships, they brought their religion of Shango with them. It is practiced in many variables today in South America and the Caribbean.


Similarly, there are variants among oshe Shango that are too numerous to mention. Some omit the celt. Some integrate the celt with the head of the figure.


This presentation of oshe Shango dance wands from my personal collection will include many of these variations. Click the Link below please

View more presentations or upload your own. (tags: african carving)

Saturday, January 17, 2009

New African Art Site

Early on in our excursion in to African Tribal Art, we were encouraged by David Norden, a collector of unusual knowledge and experience.

In fact, we still post suggestions for collecting African Tribal Art at TribalWorks.com that were based largely on original thoughts by David.


He was the moderator of the African_Antiques group at Yahoo Groups, and now has a new blog and web site at African Art Club.

Some of the articles are in German. Even those are understandable. And the photos are in the universal language of photography.

We recommend a visit to the African Art Club to stay current about news in the field.

Saturday, January 10, 2009

Skinner to hold Ethnographic Art Auction -1/24/09

(From William and Susanne Waites at Aboriginals: Art of the First Person, proprietors of web sites at TribalWorks, Native-PotteryLink, Native-JewelryLink and ZuniLink)

Skinner, Inc., A Boston auction gallery has scheduled an auction of American Indian and Ethnographic Art on Saturday Jan 24th at 10AM


Lots will include Pre-Columbian and African material, Native American items - including several lots of moccasins, items from the Northwest Coast, Katsina dolls, Navajo silver and several ollas.


In January, Skinner will be launching a new live bidding applet on skinnerinc.com. This applet will provide Skinner’s clients with a whole new bidding experience: the ability to bid live in real-time on the Skinner website from the convenience of home or work. For more information on all the ways to bid in a Skinner auction, or to register to be one of the first live bidders, log onto How to Buy & Sell at http://www.skinnerinc.com/buy-sell/skinner-live.php

Sunday, November 23, 2008

The Tribal Eye

If you missed it on TV, we found a You Tube video of Richard Attenborough's renowned presentation entitled the Tribal Eye. This episode (Number V)focuses on the people of Dogon and the Bandiagara Escarpment in Mali. It runs for several minutes. But you always can come back to it at this blog.

It's presented in the interest of heightened awareness of the world of African Tribal Art by William and Susanne Waites, proprietors of the web site, Tribal Works.




Hat tip to geneofisis.

Thursday, November 20, 2008

Avoid Online Scams When You're Shopping for the Holidays

Periodically, we read informative independent points of view that we think may be helpful for our readers. This one was from Trend Micro, purveyors of online virus and malware protection software.


"Every year we see staggering new statistics about how many people are buying gifts online instead of braving traffic, long lines, and parking nightmares at brick-and-mortar stores. During the holidays, many online retailers will also offer breaks on shipping costs—so the advantages of less physical hassle, no sales tax, and potentially free or cheap shipping make online shopping pretty appealing. However, the risks involved in online shopping are persistent as ever. Here are a few key ways you can protect yourself.


1. Use a virtual account number. This is a service that most credit cards now offer. Here's how it works: Log onto your credit card account and with one click you can generate a random credit card number that makes it virtually impossible for anyone to steal your account number while shopping online. When your virtual number is generated, simply enter it into the merchant's form and complete your purchase without revealing your actual card number. This virtual credit card number is only valid for a short period of time-long enough for the retailer to process your transaction, which will be charged to your real credit card account. But if a retailer stores that number and a hacker later breaks into their system, the number will be useless. Please note: Virtual account numbers cannot be used for purchases that require you to show your credit card at time of pick-up (e.g., movie tickets, etc.), because the account numbers will not match.


2. Make sure you're shopping on a secure site. Look for the padlock icon or a URL that starts with https://. That means your transaction is encrypted.


3. Don't trust emails from "retailers" claiming you need to verify your credit card information. This is almost certainly a scam. Every year millions of emails go out from hackers pretending to be eBay or PayPal customer service and asking consumers to provide information that the actual service already possesses. If you're worried that a retailer really has failed to process your order, go to the site and look up your account or contact their customer service center—don't click on a link in email that could redirect to a dummy site."

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Aboriginals: Art of the First Person brings you this message in anticipation of the Christmas season, as the owners of online sites that offer Native American carvings (ZuniLink), Native American Indian jewelry (Native-JewelryLink), pueblo pottery (Native-PotteryLink) and African, Australian and Arctic tribal art (TribalWorks). We guaranteed both the authenticity of and your satisfaction with any item purchased from our websites. We have been involved in tribal art collecting and selling for 30 years. We welcome your orders via our secure (https) order form.

Saturday, September 27, 2008

It truly is a WorldWideWeb

Today, we shipped a major piece of Australian Aboriginal wood carving to Germany. This follows a shipment of dot paintings and Aboriginal baskery and other native artwork to this same customer

Monday we will ship several Zuni fetish carvings to a loyal customer in Australia.

We have shipped to Canada, Japan and the Netherlands.

And today a woman from out of town, staying on Sanibel Island, came by our house and acquired several Zuni carvings. She found us on the web through a keyword search.

What is going on here?

When we closed our physical gallery after 16 years of daily treks to it and entertaining visitors without end - which we loved - we were a little concerned.

We had been online for many years - 10 or more. Yet, one never knows what will happen when you no longer have a place 'on the ground.'

What actually has happened is that we have a world wide circle of friends and customers. They come to us via the web. They trust us and they buy from us. There is no way to tell you how special that makes us feel.

Then, occasionally, someone who has seen us on the web shows up in Southwest Florida - Sanibel is a tourism magnet for good reason. They call. They come by. We share experiences and our home. And we have gratification of yet another kind.

Life is good. Friends and customers are good. Beauty is good.

We are blessed to be in this business.