Sunday, May 10, 2009

Tribal Art - The Glory of Native Pottery

If you missed the 9th Annual Pueblo Pottery Exhibit and Sale in New York City the weekend of May 1-3, you are not out of luck for finding and acquiring outstanding examples of Native American pottery making.

The referenced exhibit took place at the Hotel Beacon and included comments by Dr. Bruce Bernstein, PhD, a noted expert on the subject of pueblo pottery. Dr. Bernstein also is the Executive Director of the
Southwest Association for Indian Art, headquartered in Santa Fe, NM. Also in attendance, according to advance publicity, were potters Nathan Youngblood, Virgil Ortiz, Susan Folwell and Verma Sequatewa.

According to Dr. Bernstein, "Pottery making offers artists a way to profitably fit an old pattern to contemporary needs and provides community members with a means to enter the American cash economy while staying at home, instead of traveling to urban centers for employment."


Stated in
another way, Aboriginals: Art of the First Person owner,
William Waites, describes pottery making by Native Americans, "as a way for non-native people to interact with one of the oldest Indian art forms, one which is still created in largely the same way it was generations ago."

Examples of this captivating art can be seen at the Native-PotteryLink website, which is open 24/7 and offers authentic Native American creations for sale, with a satisfaction guarantee.

(Left) Olla by Lela & Luther Guiterrez, Santa Clara

Tribal Art - Indian Market Looking for Volunteers

If you live in or near Santa Fe, or could be in the area in August, you might find volunteering at the 88th Annual Santa Fe Indian Market a "hoot."

The Southwest Association for Indian Art, the organization that stages this annual extravaganza of authentic Indian art, has put out a call for volunteers.

The Santa Fe Indian Market depends on dedicated volunteers to realize its success. Hundreds of volunteers from across the country make the annual journey to Santa Fe to be a part of Indian Market.

"From the Sneak Preview of Award Winning Art to the Native American Clothing Contest, volunteers provide instrumental support to SWAIA staff and Indian Market artists. One thing that may not be evident to the casual observer is the connection that volunteers develop with the Indian Market itself. Volunteers positively affect the livelihoods of Native artists by managing the myriad of details involved with producing Indian Market, so that artists are afforded the opportunity to concentrate fully on sharing their magnificent artwork.

Time is moving swiftly as we prepare for the 88th Annual Santa Fe Indian Market which will be held on August 22 - 23, 2009, with volunteer preparation activities on August 17 - 21, 2009. It is the ideal time to join the SWAIA volunteer program. Please consider joining us to celebrate Native arts during this historic Santa Fe event."

For a complete list of volunteer opportunities and to apply online please visit www.swaia.org or call 505.983.5220 and ask for Cheryl James or Gomeo Bobelu.


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Aboriginals: Art of the First Person is a member of SWAIA and a strong supporter of Indian Market and the artists who exhibit and sell there. We also encourage fans of Native American art to volunteer. You will find the experience stimulating. The work of the artists also appears on the web pages at ZuniLink.com, Native-JewelryLink.com, Native-PotteryLink.com and TribalWorks.com. Whether shopping or just browsing, you are invited to visit these web sites and visually sample these beautiful works of art.

Thursday, May 07, 2009

Tribal Art - Saving antiquity, one eBay sale at a time.

Archaeologists, museums and preservers of ancient cultural heritage have long fretted over people who entered centers of pre-historic activity and looted items to sell to collectors and dealers, with no concern for the way the item was discovered and acquired. They have been concerned that important links to our past were being destroyed or removed from the cultural context required to understand them.

With eBay and web marketing blossoming, these guardians of our history became fearful that looters would be encouraged to steal and damage more. eBay would make it easier to sell their booty more easily.

In a recent article in Archaeology Magazine, Charles Stanish has offered up a different vision of eBay's influence on the market for stolen artifacts. Stanish, who is director of the Archaeological Institute of America, reports that eBay has had an opposite effect.

By popularizing the collection of artifacts and facilitating the sale of "fakes", eBay has encouraged a trade in manufactured fakes at prices so low that there is little or no profit in the hard work of stealing and taking the real thing to market.

In the wake of this, individual craftspeople have begun to make reproductions that are so good they even fool the "experts". They also create objects that are not identical copies but reflect the design elements and use authentic materials in ways that make them collectibles in their own right. They can be acquired at prices that provide competition to real, authentic items looted from graves sites and archaeological digs.

As with so many things in life, the side effects often are more significant than the intended purpose.

The referenced article is oriented to antiquities and artifacts from Andean cultures. But the observations are equally applied to other fields of study and collection of material culture. For example, there is a continuing, occasionally incendiary, discussion on certain websites about African Tribal Art. What is authentic, what is antique and what is new and made for market?
And how can you tell?

One indicator, in my opinion, is the price. If you see an item offered in the semi-anonymous realm of eBay at a ridiculously low price, chances are almost absolute that it is a fake or, to be more polite in some cases, a reproduction.

Even works that have been authenticated by curators and other people paid for their expertise can be less than they are presented as. Increasingly, these "experts" are being trained with fakes that are presented to them as authentic.

At one time, certain testing regimens would reveal if something is genuine or not. That too is becoming less reliable as crafts-people have learned how to use materials identical those used in the making of the item 1,000 years ago.

Moving to the area of Native American Indian art, eBay has taken steps to prevent some items from being misrepresented as Native American in origin. They required sellers to specify the tribal relationship and name of the artist for any piece represented as being made after 1934. Do you see the problem here? The prohibition does not apply to items claimed to have been created prior to 1934.

There are other protections. For items that are pre-historic or historic, Federal regulations require proof of legitimate acquisition. Items taken from public lands are contraband and may not be sold unless acquired prior to the enactment of laws protecting property that rightfully belongs to the public. For more recent items presented as Native American-made, the Indian Arts & Crafts Act applies. This is the law eBay cites to justify their requirements for posting contemporary Native American art.

There are other helpful resources.

o The Indian Arts & Crafts Association requires members to accurately represent items they sell. Members agree, upon penalty of expulsion, not to identify anything as Native American-made unless it is, in fact, made by Native Americans.

o Another resource is the Antique Tribal Art Dealers Association. This group has a stringent code of responsibility for correct identification of items offered for sale by members.

o There also are some discussion groups on Yahoo that are frequented by people with a lot of experience in artifact identification. One of them, artifakesgroup@yahoo.com, regularly highlights items, especially bead work, offered on eBay that members believe to be misrepresented.


Finally, one of your best protections is to work with dealer that you trust (membership in organization such as IACA and ATADA can be guides). Even then, there may be problems. Stanish tells of a dealer he went to in La Paz, Bolivia. He told the owner that many of her pieces were fake. Her reaction was one of anger. He then went through the displayed pieces and pronounced them "fake" or "real". Hooked by the author's apparent expertise, the owner decided to prove him wrong by grabbing one he had identified as "real" and telling him it was "fake" too.

The article, available on line, is an informative and entertaining read.

~~~~~~~~~~~~~

Aboriginals: Art of the First Person, with web sites at ZuniLink.com, Native-JewelryLink.com, Native-PotteryLink.com and TribalWorks.com, deals in authentic, guaranteed tribal art. We support the protection of items of native patrimony.


Friday, May 01, 2009

Tribal Art - Sotheby's May 20 catalog on line

Eighteen days from now, May 20, 2009 Sotheby's New york will hold an auction of American Indian Art including property from the Frieda and Milton Rosenthal Collection.

The catalog is online for web browsers at Sotheby's.

There are more than 200 lots ranging in estimates from US$5,000 to US$80,000

Among the higher end pieces are Chilkat blankets, Haida rattles, Navajo weavings and historic pottery from the Southwestern Pueblos. Baskets also are well represented.

In addition to browsing through the catalog on line, you can order a copy of the catalog for purchase. We find these printed catalogs, which usually are followed by a 'prices realized sheet' if requested, can be valuable resources for determining values of similar items you may be considering buying or selling.

Oh, yes. You also can bid on line. Be sure to read the terms and conditions. An auction house premium is added to the winning bid.

Whether you bid or not, however, an auction like this can be very educational. At Aboriginals: Art of the First Person and our websites at Tribalworks.com, ZuniLink.com, Native-JewelryLink.com and Native-PotteryLink.com, we value informed buyers. We add our best thinking and experience to the educational mix. The more you know about an object of tribal art, the more you will enjoy owning it.


Tuesday, April 28, 2009

Tribal Art - What's authentic and Why it matters

This embedded video features Tony Eriacho, Zuni artist and Indian Art authenticity activist, who talks about issues of authentic Indian art and their ramifications. Tony is a friend and trusted authority. I think the video is worth 8 minutes of your time.

We at Aboriginals: Art of the First Person have been members of the Indian Arts and crafts Association for 20 years and are strong believers in the principles that Tony advocates. We apply them to every thing we offer at ZuniLink, Native-JewelryLink, Native-PotteryLink and TribalWorks.

We invite your inspection and your questions.

Thursday, April 16, 2009

Tribal Art - New Orleans Museum offers overview of African Art

Tribal Works offers this from JacarandaTribal, a blog with a special expertise in African tribal art that we follow -

African Art from the Permanent Collection
Tuesday, April 28, 6-8 p.m.
Curator of African Art William Fagaly will use the Museum's collection to provide educators with a general overview of the arts of
Africa. The objects in the galleries will help to shed light on the religious, social and artistic background of each culture represented. Overall themes within the collection will be highlighted, allowing educators to present the material to their students with ease. Education staff also will discuss classroom activities and suggestions for incorporating African art into a variety of curricula.

Thanks Jacaranda.


Sunday, April 12, 2009

Tribal Art - Aboriginals granted full membership in the ATADA

Aboriginals : Art of the First Person, operators of web sites at ZuniLink.com, Native-JewelryLink.com, Native-PotteryLink.com and TribalWorks.com, has been admitted to full membership in the prestigious Antique Tribal Art Dealers Association (ATADA).

ATADA has a rigorous code of ethics concerning business practices and representations of items offered for sale. The organization, however, recognizes that the most effect program to prevent misleading representation and the sale of fakes is an educated public. ATADA supports efforts to provide potential buyers with information and awareness they need to make wise purchases.

The organization also sponsors a Theft Alert program which publicizes art and antique items that have been reported as stolen.
This program makes it almost impossible to sell stolen art to dealers and difficult to keep it where any knowledgable dealer or collector will see it. It has resulted in numerous stolen items being returned to their rightful owners.

Aboriginals and its allied web sites are proud to be members of ATADA and to be devoted to the principles and standards of the organization.

For more information about ATADA , visit their web site at www.atada.org

Sunday, April 05, 2009

Tribal Art - Native American Indian jewelry being shipped to Australia

We are in the process of packing up a shipment of Native American jewelry to go to a shop in Orange, NSW, Australia that has decided to offer this genre of jewelry to its customers.

We are always excited when others in the Tribal Arts. Native jewelry and allied fields believe in the works we offer and place their trust in us to deliver authentic, quality items of Tribal Art.
The name of the store is Earth Spirit - Natures Clothing and Giftware. If you are in or near Orange, Australia, please look them up and say hello.

For examples of the type of products that Earth Spirit will offer, check out our U. S. based Web site

Monday, March 30, 2009

In remembrance - Tyler Quam

We have just received word that Zuni carver, Tyler Quam, has passed away.

He was a member of a family of carvers well known for their work. Tyler's sisters are Prudencia Quam, Georgette Quam His brothers are Eldred and Andrew Quam. He was also father of 2 children with Joanna Cheama.

We ask you to join us in prayers for the family at this time.



Tribal Art - Zemanek-Munster Tribal Arts Auction struggles

According to Web sources, the most recent Zemanek-Munster tribal art auction, held twice a year, attracted a disappointing response.

As a result, the auctioneer has initiated an aftersale to move unsold lots.

For example, this is lot 138, a heddle pulley

Heddle pulley, Baule, Elfenbeinküste

Baule - shaped corpus with incised ornaments, front and backside carved with a buffalo head, bobbin missing, min. dam., slight signs of abrasion, on wooden plate

Price: 750 €

Or this example, lot 111, a stool

Stool, Gurunsi, Burkina Faso

Gurunsi, Burkina Faso - light brown wood, spotty patina, of simple form, four strong legs supporting a nearly rectangular, slightly hollowed seat, min. dam., signs of usage and abrasion

Price: 300 €

Or this, lot 92, ape mask "ngon"

Ape mask "ngon", Bamana, Mali

Bamana, Mali - wood, shiny blackish brown patina, of oval form, a slightly protruding forehead, open worked eyes in round cavities, flanking a triangular, slightly raised nose with drilled nostrils, a broad opened mouth underneath, framed by ears with drilled holes, pierced around the rim, min. dam., slight signs of abrasion, fissures; worn by the initiates of the "koré" society. They used animal masks, thus illustrating the relationship of humans with their own animalistic features.

Price: 2500 €

You can view these and some 258 other lots at Zemanek-Munster's web site. Or see similar items of African and Oceanic tribal art at TribalWorks .

Sunday, March 29, 2009

Tribal Art - have some fun. Guess the carver.

Often we get confused about who carved what.

Not that we didn't know and can't look it up.

But we look at a carving we have had for a while and we wonder, "Who carved that?"

Of course when we look it up in our records we say, "Of course, that's who the carver was."

So we thought we might turn it into a game and you might enjoy playing.

Is it Emery Eriacho?

Or Elroy Pablito?

Or a Quandelacy?

|?

|?

|?

|?

|?

|?

|?








If you guessed it was a Quandelacy, you must know a little something about fetish carvers.

But we're not done yet.

Which Quandelacy?

Click here to find out

Wednesday, March 25, 2009

Tribal Art - New, 'old' fetishes on Zuni Link

We have dipped into our personal collection to present a few bona fide vintage fetish carvings from Zuni. They all have some of the magic of carvings that predate the attempts to carve for market.

We are not knocking the newer carvings. Many of them are excellent beyond measure. If they are on our site, they definitely pass our personal test for excellence and value (for price). We cherry pick the best from the best.

But the old ones have a certain soulful quality that enhances their value beyond any price tag. Nevertheless, they have price tags and you can find out by visiting our ZuniLink web site page for Vintage and Old Fetishes.

We believe they all are pre-1970.

Here are a few examples:

Visit us at ZuniLink for more. We also offer web sites that feature Native American Indian jewelry, Native American Pueblo pottery and a pot-pourri of African, Australian, Arctic and Navajo folk art.

Monday, March 23, 2009

Tribal Art - Investing in beauty and life enrichment

According to an arts and antiques newsletter, the economy is having a peculiar effect on art and collectible purchases.

To quote, "The Finer Things", a fine art gallery in New York and Cincinnati, "has seen requests for quality antiques, fine art and jewelry increase ten-fold in the past few months."

It seems that when 401Ks and retirement/investment funds based in securities go south, investors look for items of solid, three-dimensional value.

I am not very surprised. At the very least, a treasured object is something you can look at, enjoy and have enrich life even if the value doesn't go up.

(Incidentally, we always encourage buyers not to buy for investment. Art and collectibles are highly undependable as potential investments. They can just as easily go down in monetary value as appreciate. Buy out of love and a desire to have an object in you life. Those are experiences you can't discount. They will last forever.)

For previews of how objects of tribal art can make you smile and feel good, check out our web sites at ZuniLink.com, Native-JewelryLink.com, Native-PotteryLink.com and TribalWorks.com

Saturday, March 21, 2009

Tribal Art - Whitehawk announces 2009 shows

Whitehawk has announced the dates and venues for its 2009 Ethnographic Art Show and 2009 Antique Indian Art Show.

The Ethnographic Art Show, the 26th annual staging, will run Saturday and Sunday, August 15 and 16, 2009 from 10:00 AM to 5:00 PM, with a preview opening on Friday, August 14, 2009 from 6:00 PM to 9:00 PM.

The 31st annual Antique Indian Art Show will have a preview opening on Monday, August 17, 2009 from 6:00 PM to 9:00 PM, followed by shows on Tuesday and Wednesday, August 18 and 19, 2009 from 10:00 AM to 5:00 PM.

Both shows are to be held at the Santa Fe Community Convention Center.

The shows are harbingers of the world-famous Santa Fe Indian Market, which will take place throughout downtown Santa Fe on Saturday, August 23 and Sunday, August 24, 2009.

The Whitehawk shows always are well-attended and include outstanding dealers and other exhibitors. For more information about the Whitehawk Shows, visit Whitehawkshows.com. For more information about Indian Market, go to SWAIA.com, the web site for the South West Association for Indian Arts.Street scene at Indian Market 2008. Artists' Booths line San Francisco Street,
with St. Francis Cathedral in the background.


This particular week in Santa Fe is a time of incessant activity. Accommodations book up early. If you don't have your place to stay already, its important to line it up now. When doing so, consider that Santa Fe Trails, the local bus company, runs shuttles from certain parking areas so it is not necessary to stay right on top of the action.

If you can't find vacancies in Santa Fe, an alternative is to stay in Albuquerque and ride the new Railrunner train service from Albuquerque to Santa Fe. There's also a Days Inn in Bernalillo that is just two blocks from the local stop of the Railrunner. Actually, we will probably ride the Railrunner at least one day while there, even though we have a local Santa Fe room booked, simply because I am kind of nutty about trains.

Yes, this is rather early notice. But, with Indian Market week, if you don't act fast, you lose out.

As indicated, Susanne and William Waites plan to be in New Mexico for Indian Market and associated events. As collectors and dealers in tribal art, we enjoy seeing all of our old friend artists and their latest work, and all of our fellow dealers.

Items acquired at the time eventually appear on our Web sites:
ZuniLink.com featuring top quality fetish carvings by Zunis, Cochitis and residents of San Felipe Pueblo; Native-JewelryLink.com for outstanding and unique items of handmade Indian jewelry; Native-PotteryLink.com for creations of historic and contemporary Pueblo and Native American pottery. We also offer African tribal art, Australian Aboriginal art, Arctic-Inuit art and Navajo Folk Art at our fourth Web site, TribalWorks.com

Thanks for reading. If you plan to be in Santa Fe when we are, give us a shout now and we will look for opportunities to meet up there.

Wednesday, March 18, 2009

Tribal Art - Look for us on AboutUsWiki

Our Native Pottery Link site has now been listed on AboutUsWiki.

Check it out at http://www.AboutUs.org/Native-PotteryLink.com

This is a wiki, an interactive reference guide for all sorts of internet subjects.

Enjoy.

Church Street Cafe, Old Town, Albuquerque, NM

As we anticipate our next journey to New Mexico, we reminisce about one of our favorite palces to eat while there. The Church Street Cafe in Old Town behind San Felipe Church.

The rear garden is a sensual treat that adds to the delightful menu of Southwestern dishes.

We enjoy watching this and hope you will too.

Monday, March 16, 2009

Tribal Art - Molly Murphy, Oglala artist wins Best of Heard Show

"Absolutely magnificent", was the rave given by Barbara Korn, Heard Museum Show official, to the Best of Show winning work of Oglala Sioux bead work artist, Molly Murphy.

Murphy's entry, titled "Past is Prologue", was a Salish-style cradle board, beaded in light blue turquoise.

Lovers of Native American tribal art recognize the Heard Museum Fair and Market as one of the pre-eminent competitions in the world of Native art. Murphy's work was in competition with seven other first place winners in other categories, representing an even more significant win.

The show attracted entries from more than 700 Indian artists. Crowds visiting the weekend festival were estimated at 20,000, a 14% increase over last year's attendance. This speaks well for the vitality and popularity of Native American Indian art

Murphy also won a Second Place award in the beading category with a sewing box covered in red wool and ornate beading.

Murphy reported that the cradle board was purchased by collectors from New Jersey, who have several grandchildren, including a very recent one.

More information about Murphy's win is available at the Missoulian, a Missoula, MT newspaper.

As fans of beautiful Native American bead work and all Native Tribal Art, Susanne & William Ernest Waites, providers of tribal art at TribalWorks.com, Native-JewelryLink.com, Native-PotteryLink.com and ZuniLink.com, salute Molly Murphy for her extraordinary work and her impressive win.

Saturday, March 14, 2009

Tribal Art - by Talia Quandelacy, Zuni carver

Last summer we visited with Talia Quandelacy and acquired some of her very nicely done work.

Here's a brief video of that pleasant encounter.



Brought to you by two of Talia's greatest fans, Susanne and William Waites of ZuniLink.com

Thursday, March 12, 2009

A Tour of the Sheik Zayed Mosque in Abu Dhabi

It may be a stretch to consider Abu Dhabi among tribal art resources. At, least in the manner we normally define it.

But we visited it in February and had fabulous exposure to the local culture, including the Sheik Zayed Mosque - the third largest mosque in the world.

We were very impressed with our tour of the mosque, a video of which is embedded here.

Sunday, March 08, 2009

Tribal Art - Saving the Planet online

Whether or not you believe in man-made global warming – personally, I am an agnostic - it turns out that you may be reducing your impact on the planet by purchasing items online instead of in-person.


The Carnegie Mellon Green Design Institute put together a study that purports to prove that e-commerce not only uses less energy but also reduces the carbon footprint of retailing by one-third vs. bricks-and-mortar retailing.


The team, led by H. Scott Matthews, compared energy consumption and CO2 emissions required to deliver a small thumb drive to a customer via a shopping trip to a store vs. buying and shipping from an online site.


According to the study, as reported in the Wall Street Journal, the highest environmental cost of traditional shopping is the drive by car to the store. (This was based on an estimate of an average shopping round-trip being 14 miles, with three different items purchased on a trip.)


But what about the environmental cost of delivery to you home? The researchers determined that the “last-mile” cost of delivering a package as part of a UPS delivery truck’s trip - in which numerous packages are delivered to different addresses – requires significantly less energy per package.


Okay, what about the cost of data centers and computers? Well, it turns out that, on average the incremental costs of running data centers and computers, beyond the energy costs that are incurred by businesses tracking inventory and consumers using computers for other tasks, is insignificant.


To be fair, the extra packaging to ship safely adds mare cost than carrying an item home in shopping bag. In addition, using air mail or personalized express shipping options can increase the impact on the environment. On the other hand, using the postal service3 to ship has almost no incremental cost since the time and resources are already being used for normal mail delivery.


There is one way the traditional retailing has less impact on the environment than e-commerce; if you walk to the store. Of course, that seldom applies to shopping for tribal art since so few of us live down he stet from a tribal art gallery.


While we are on the subject of tribal art, let’s reflect on its benign environmental impact.


Very little if any non-renewable energy is used in the making of tribal art. True, some Native American carvers use electrically-driven carving tools. But then they start with natural materials, stone, wood, semi-precious gems, silver, gold and clay with very little energy expended in manufacturing and very little wasted material.


For example, Native American potters create their works the traditional way. They mine the clay by hand. They form it by hand. They fire in pits using wood. They polish by hand with smoothing stones.


Finally, buying tribal art supports a process and practice that has been place for generations, and the artists who were among the first to recognize the importance of honoring Mother Earth.


This report is brought to you by Susanne and William Waites, proprietors of Aboriginals: Art of the First Person, with Web sites at ZuniLink.com, featuring Zuni and other Native American carvings; Native-JewelryLink.com, featuring the finest in Native American Indian jewelry; Native-PotteryLink, featuring handmade Indian pottery from Native Pueblos; and TribalWorks.com, combining triabl art from African, Australian Aboriginal art, Arctic art and Navajo folk art.


We are gratified to be able to bring this outstanding tribal work to your attention, on behalf of the artists (and the planet).

Thursday, March 05, 2009

Tribal Art - More on the question of authenticity

The Tribal Beat reports on the San Francisco Tribal & Textile Show recently held at Fort Mason.

His take on the state of the market is interesting. Realistic, if a little depressing. But I am convinced that the market for tribal art will come blazing back.

He also writes about the motives of "experts" called in to vet objects proposed for inclusion in the show. It partially agrees with my feelings about asking other dealers for opinions. I continue to feel it is a good precaution. Yet, as the Tribal Beat suggests. Everything is not fair and always in the buyer's (or the business's) best interest.

Brought to you courtesy of William and Susanne Waites, proprietors of TribalWorks.com, ZuniLink.com, Native-JewelryLink.com, Native-PotteryLink.com

Wednesday, March 04, 2009

Tribal Art - Where was it made?

I find myself lately checking everything I buy for the “Made in” label.

From shoes to shirts to shorts, I want to know if they were made in America and, if not, where they were made.


I have my own standards about what countries of origin I choose to support with my purchases. I would not ask anyone to make the same decisions. But, I do encourage everyone to be aware of where an item they are buying was made. Then do as you choose.


As far as tribal art is concerned, the same procedure should be followed. It will not be quite as easy because labeling is not as consistent among tribal art objects.


It is, nevertheless, important to try to learn where that object of your artistic affection was created.


Despite laws to the contrary, “Indian-like” items continue to find their way into the United States. Some times they are identified with slightly misleading terms such as “Native-American-style” or “Native-made” (native of what country?).


Mind you, this is not to denigrate the artistry of creators in other countries. Just as faux Rolex watches may be fine pieces of work, they are not true Rolexes. Promoting them as such is selling something to buyers that is not what they think it is.


When it comes to tribal art, there is a premium price willingly paid for the pedigree of an item actually made by a tribal member, in a tribal tradition. Whether it’s Native American, African tribal, Inuit or Australian Aboriginal, a copy made to look like a genuine item and represented as such, is a form of theft.


Unfortunately, when a buyer is misled, they may never realize that what they have is a replica, not the real thing. They may even, innocently or knowingly, resell the item with the same erroneous provenance. In the world of fine arts, periodically a Masters painting emerges as having been a copy. Tracking down the original source of the fake can result in some recompense for buyers down the line. It is, however, more difficult to do this in a field where thousands of items come out of the shadows on a regular basis.


So, how can you protect yourself?


First and second, only do business with someone you know, trust and who has a reputation for standing behind what they sell.


Third, ask. Don’t be reluctant to ask the seller up front and forcefully whether or not the item is authentic, where the seller acquired it and if he or she knows its history. If you don’t get a straight answer, be warned.


Fourth, be suspicious of a price that seems too low. Few words are more proven than the old axioms, “you get what you pay for” and “if it seems to good to be true, it probably is.”


Fifth, if you think you are about to be taken, turn to experts. Ask if you can show the item to another authority. And don’t settle for one opinion. Tribal art dealers are notoriously competitive. They are not beyond “trashing” a potential purchase so that they can sell you something instead. Corroborate any opinion.


Sixth, if you do get taken, try to return the item for a refund. If you get a hard time, threaten to go to the BBB or the Indian Arts and Crafts Association or your State’s Attorney General. As a last resort, actually complain to those authorities.


Finally, use the internet to spread the word about fraudulent practitioners. There are a number of Web sites that encourage reviews of quality and service. Just be sure to speak only facts and avoid slams and insults that could lead to a defamation suit.


A few words about signatures.


Signatures are an important way to determine the authenticity of a work of art. Yet, not all artists sign their work. Some do. Some don’t. Antiques often were not signed. Occasionally, a signature is added to look-alike to try to pass it off as the real work of an artist.


Anyone who has watched Antiques Roadshow on Public Television knows how often a Tiffany signed item turns not to be a Tiffany product.


With or without a signature, get a written assurance of the seller as to the origin of the item. Ask for a Certificate of Authenticity. You are entitled to it as part of your purchase.


~~~~~~~~~~~~~~~~~


A crass commercial notation: At all of our Web sites - ZuniLink.com, Native-JewelryLink.com, Native-PotteryLink.com and TribalWorks.com - we guarantee the authenticity of everything we sell. Our motto is, "It is what we tell you it is or you get your purchase price back when you return it."

Thursday, February 26, 2009

Tribal Art - Who's writing this stuff?

As some of you may know, I also am a writer in addition to being a collector/dealer in tribal art. So I am surfing around looking for the opportunity for some freelance writing assignments.

(Hey, as wonderful as our clients are, and they are, and as resilient as our market is, and it is, I'm always looking for new writing gigs.)

It's more a matter of passion than income. It's a good thing. I am checking out some freelance writing leads and finding offers for 10 articles in a day at $1 per article.

You read it correctly. $10 for 3,000 to 5,000 words, with required appropriate research. Since this would take most writers a full day, that's the equivalent of working for $1 an hour.

What kind of a writer will work for that?

I think the work product those buyers are getting has to be pretty feeble.

I have worked for nothing. But I have done that on my own choice and on a one-time basis.

I would never write 10 articles in a day for $1 each. Never. (I would spend more than that on energy boosters during the process.)

So if you are reading a lot blather on other blogs or web sites, you know why.

As for this blog, I write every word - correction: I had one guest blogger, but I thoroughly edited the submission.

So when you read what's here, whether you find it interesting or not, it is not drivel written by a disinterested hireling who is willing to work for $1 an article.

It also is written by someone who knows and loves the subject. Heck, I would write this blog for no pay. Wait... heck, I do write it for nothing.

Okay. End of rant. Feel free to comment. Please comment.

If you want to read some additional writing about tribal art, visit our web sites at ZuniLink.com, TribalWorks.com, Native-PotteryLink.com and Native-JewelryLink.com

Thank you.

Sunday, February 22, 2009

Selling Tribal Art has its emotional rewards.

We just received an email from a customer who ordered a pottery buffalo by Mary Small of Jemez Pueblo.

May we share his comment with you?

"I just wanted to tell you that the Mary Small buffalo arrived and it is absolutely fantastic, unusual, and an incredible addition to our Mary Small collection. Both of you are stupendous buyers with an eye for excellence, creativity, and uniqueness. So thrilled that I found your website. "

Here's a photo of the buffalo object of his affections.


We love it when this happens. It completes the circle of our satisfaction and rewards from involvement with Tribal Art.

You can read this and other testimonials on our web sites at ZuniLink. Com, Native-PotteryLink.com, Native-JewelryLink.com and TribalWorks.com. Thank you.

Saturday, February 21, 2009

Tribal Art - Is it growing in awareness and favor?

KIM PALMER has written in the Minneapolis Star Tribune (2/12/2009) about the growing popularity of African tribal art, which she attributes in part to the election of Barack Obama as President. Here are some excerpts:

"At first, it was kind of a fad," said Angie Scott, a St. Paul interior designer and owner of Access:Dezign. But globalization is fueling broader awareness and appreciation of other cultures and their aesthetic traditions.

For many black Americans, African-inspired design remains a celebration of cultural pride. "We're just drawn to those pieces and being in touch with our ancestry," said Scott.

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Among collectors of global antiques and artifacts, African pieces "faded to the background for 10 or 15 years, as Asian antiques came in," said Ian Grant, owner of Bjorling & Grant, an imported furniture and accessories showroom in St. Louis Park, Minn. "Now, slowly, at the upper end of the market, African pieces are coming back in."

And there's much to appreciate, Ta-coumba Aiken said. "Some of the finest crafts in the world come from all parts of Africa. It's an area of beautiful age-old design. People will start looking at Africa and will be amazed."

There's more to the story and you can read it here , as reported by the Sacramento (CA) Bee.

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Aboriginals: Art of the First Person and its web site at TribalWorks.com is excited to see a resurgence of interest in this beautiful ethnographic art. We have many pieces for sale that fall on the low end of high-end, traditional, authentic African tribal art. Check out the masks and sculptures in our African Room.
You can do more than add an African touch to your decor. You can add a art object with a rich, African tribal heritage to your experience.

A thank you tip to to Kim Palmer, The Minneapolis Star Tribune and the Sacramento Bee, who brought this story to our attention.

Friday, February 20, 2009

Tribal Art - Sotheby's auction - The Sculptor's Eye

Courtesy of Antique News, we learn that Sotheby's New York has scheduled a major auction of tribal art from the Gross collection of African and Oceanic Art.

May 15, 2009 is the date.


The collection was amassed by Chaim and Renee Gross during the 1940s and 1950s.

For more information, visit www.sothebys.com.

Wednesday, February 18, 2009

Tribal Art News about San Ildefonso

New Mexico Tourism has issued the following news release.

San Ildefonso Pueblo Re-establishes Historic Cottonwood Trading Post

Balloon Fiesta poster

The San Ildefonso Pueblo Enterprise Corporation has announced the re-establishment of the historic Trading Post at San Ildefonso Pueblo, naming it the Cottonwood Trading Post.

The Cottonwood Trading Post features the work of nearly 60 New Mexico pueblo artists, including 33 from San Ildefonso, who continue to follow the traditional art of pottery making for which San Ildefonso has a well-deserved international reputation.

San Ildefonso is one of the best known New Mexico Pueblos because of the famous black-on-black pottery which originated there and which was revived in the 1920s. At that time San Ildefonso, like many other Pueblos, was suffering a severe economic depression. Long standing internal conflicts, encroachment upon tribal lands by squatters and illegal cutting of timber all contributed to the low-subsistence level to which the Pueblo had fallen. When American Indian crafts began to be popular with collectors, it was fortunate for the San Ildefonso people, because although the Pueblo population was small, there were a number of skilled artisans, makers of pottery and painters, who set to work to improve the economic condition of the Pueblo. Before long, the outstanding quality of San Ildefonso pottery became known. It was then that the famous black pots were revived, primarily because of Maria Martinez, who is credited for creating the pottery style for which San Ildefonso Pueblo is most known..

Today, they command the respect of world-wide collectors of fine art. Other artists, potters and watercolor painters came to the attention of the public and although the Pueblo is one of the smallest in population, it is among the best known, averaging more than 20,000 visitors each year.

Cottonwood Trading Post has long been a part of San Ildefonso Pueblo's history throughout the years. Although ownership has changed over the years – now owned by the San Ildefonso Pueblo Enterprise Corporation - the past is ever-present in the memories of its artists and visitors. The trading post has been remodeled and updated with the times, but original beams of the grocery store and trading post are still in place.

The Cottonwood Trading Post buys, sells, and trades authentic Native American pottery, paintings, jewelry, dance goods and more.

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Tribal Artery and Native-PotteryLink.com tips its "thank you hat" to New Mexico Tourism for this good news. We remember the Cottonwood Trading Post from the old days. We always enjoyed our visits there. It's good to have it re-opened.

New fellowships for Native American (tribal) artists

Carol Guzman at NMCulture sends this alert. Thanks. Carol.

PND RFP Alert
February 18, 2009

The following requests for proposals have been posted to Philanthropy News Digest:


First Peoples Fund Seeks Nominations of American Indian Artists for Community Spirit Awards
Four fellowships of $5,000 each will be awarded to American Indian visual, performing, and literary artists who have made substantial contributions to their communities....

Deadline: June 15, 2009
Posted: February 18, 2009

Monday, February 16, 2009

The Human Drive to Make Art - Tribal and otherwise

WHY do humans make art? It can be lovely. It can be stimulating. It absorbs some of the finest minds in any society. It can change hands for ridiculous sums of money. And dizzying edifices of commentary have been built around it since the time of the Greeks. But all those aspects of art beg a fundamental question: why do we do it?

An article in The Australian, Australia's national newspaper, reviews a new book by Dennis Dutton, The Art Instinct, that discusses the subject.

Dutton suggests that because all humans make art, and people from many different cultures appreciate similar subjects in art, art is an evolutionary adaptation, helping humans survive as individuals and as a species. Eventually, over the millennia, art-making traits have been absorbed into the repertoire of human instinct.

To read more of this article, click on this link -http://www.theaustralian.news.com.au/story/0,,25035538-16947,00.html

At Aboriginals: Art of the First Person we revel in the spirit of art executed by tribal peoples, and present examples at TribalWorks.com, Native-PotteryLink.com, Native-JewelryLink.comZuniLink.com
and

Sunday, February 15, 2009

Tribal artistry: UMFA exhibit shows how Indians blended culture, art (Deseret Morning News)

When does art become culture? When does culture become art? When are the two so inextricably intertwined that it’s hard to separate one from the other?

Continue here:
Tribal artistry: UMFA exhibit shows how Indians blended culture, art (Deseret Morning News)

Brought to you in the interest of public awareness of the magic of Tribal Art by Aboriginals: Art of the First Person, with web sites at ZuniLink.com, Native-PotteryLink.com, Native-JewelryLink.com and TribalWorks.com

Saturday, February 14, 2009

In Tribal art, what is antique-what is vintage?

What is antique? What is vintage?

An article discussing this subject recently appeared at http://avcosa.ning.com/profiles/blog/show?id=2697035%3ABlogPost%3A1623

We recommend you visit the link for the full story.

Here is sample to get you started:

"Too often, people will mislabel items as "antique" or "vintage" - sometimes because they believe it will be profitable to do so but, more often than not, it's because they just don't know the accepted definitions. If you are one of those individuals, you'll be relieved to know that there are NO "hard and fast" definitions for these terms and my intent is to simply provide you with a rule of thumb.

Although there are no accepted "rules" defining vintage, let's start developing our definition by putting it in the appropriate context. Most collectors agree that there is a clear distinction between what is considered "antique" and what is not. Antiques are usually associated with characteristics of a certain period of time or style of manufacture."

Aboriginals: Art of the First Person, purveyors of Tribal Art at TribalWorks.com, ZuniLink.com, Native-JewelryLink.com and Native-PotteryLink.com brings you this link with a tip of the hat to Antiques, Vintage and Collectibles online sellers association

Tuesday, January 27, 2009

We speak Tribal Art in many languages

If you are reading this blog as is, you may find the following news unimportant.

On the other hand, if you know people who speak languages other than English, and who are interested in tribal art, you can tell them that Aboriginals' websites now have Google translation capability.

Our Zuni fetish carving site at ZuniLink.com , our Native-JewelryLink.com site featuring Native American jewelry, our website featuring Native American pottery, Native-PotteryLink.com, and our TribalWorks.com site, with African, Australian, Arctic and Navajo folk art items, no all have a Google gadget that allows the text of the entire site to be translated to several non-English languages: French, German, Italian, Portuguese, Spanish, Danish, Dutch, Russian and more, even Arabic.

Simply go to the home page, find the Google translation box and enter the language you would like to translate to. The page you are on will be translated to that language as will every other page on the site.

A warning, however - This is machine translation so that it doesn't deal with colloquial expression well. When your cursor passes over a translated phrase, a window will open offering the original English wording and will ask if there is a more accurate translation possible. Your response will go to Google, where it will add to their knowledge of languages.

Please give us a comment to let us know if you like this capability. Thank you.

Wednesday, January 21, 2009

Tribal Artery has joined AVCOSA

We have joined the Antique Vintage Collectibles Online Sellers Association. We believe in supporting others in our field.

Do we need a Culture Czar?

Posted by William and Susanne Waites of Native-JewelryLink, Native-PotteryLink, TribalWorks and ZuniLink, under Tribal Art

Culture Grrl
Lee Rosenbaum, who blogs as the Culture Grrl and comments on the culture and arts scene, has posted a message expressing disfavor with the concept of a Federal Government culture czar. Frankly, we agree with her.


The government has no business "czar-ing" art and culture. If they can tell us what good art is, they can tell us what bad art is. We fervently believe that judgement is best made by the audience as individuals. Keep the politics out of it.

We've captured an opening paragraph Lee's blog. There is a link to continue at the end.

I've got nothing against better coordination among government programs involving the arts and humanities. Regular meetings of representatives from the relevant offices and agencies could foment creative synergies. Perhaps a White House official with advisory, not managerial, responsibilities could help facilitate this without inserting what we emphatically DON'T need---an extra layer of bureaucratic control over our nation's cultural activity.

Read more

Indian Arts & Crafts Association protects you and the artist


Posted under Tribal Art by William Ernest Waites, Aboriginals Gallery, Zunilink
, Tribalworks, Native-JewelryLink and Native-PotteryLink

We have been members of the Indian Arts and Crafts Association for 19 years. We have proudly displayed the IACA logo proclaiming our membership, which requires us to sell only authentic Native American made art when we have identified it as such.

For those, who are not familiar with IACA, here is brief history, courtesy of the association itself.

HISTORY OF IACA

The Indian Arts and Crafts Association was established in 1974 in response to the growing problem of misrepresentation of American Indian arts and crafts in the marketplace. The original founders were American Indian artists and reputable businesses located primarily in the Southwest. Today, IACA is an international organization representing every link in American Indian arts - Native artists from the U.S. and Canada, along with consumers, retailers, wholesalers, museums, government agencies, suppliers and supporting members.

In the early 1970s, the American Indian arts and crafts industry was booming. And, as so often happens with successful businesses, unscrupulous dealers, knockoffs and imported goods appeared in the market to the detriment of the unsuspecting consumer and respectable artists, wholesalers and retailers. Legislation governing the industry and the labeling of authentic arts and crafts produced by Native Americans was weak or non-existent. Where it did exist within several of the States, it was rarely enforced.

Realizing that if these conditions were to continue, the buying public would soon lose confidence in the intrinsic value of American Indian products, these individuals did what people in similar circumstances have done since ancient times. Rather than face the issue privately, they banded together and founded the "Indian Arts and Crafts Association" and incorporated it under the laws of the State of New Mexico
.

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When you are considering Native American art, please look for identification of your vendor as a member of the IACA. It is your best assurance that, if it says Native American Indian made, it is Native American Indian made.

Update: A tip of the Tribal Artery thank you hat to Native Art and BingoRage for link to this blog. Welcome Native Art and BingoRage readers.