Showing posts with label Aboriginal art. Show all posts
Showing posts with label Aboriginal art. Show all posts

Saturday, October 10, 2009

Revisiting Australian Tiwi Aboriginal art

An update on Tiwi art in Australia by William Ernest and Susanne Waites, owners of Aboriginals: Art of the First Person.

As you may know Susanne and I once lived in Australia, which was where we developed our love for tribal art. That affection started with the art of Australian Aborigines.


As our exposure increased and expanded, we traveled to many Aboriginal sites in the country. One of our favorites, to which we paid a repeat visit during our last travel to and through Australia, was the
Tiwi Islands of Bathurst and Melville.

These
two island, sitting where the Arafura Sea meets the Timor Sea, about 50 miles offshore from Darwin, NT, are unique even vs. Aboriginal communities elsewhere in Australia.

They have a different history and the inhabitants speak a different language. As a result, the art created by the Tiwi people has its own distinctive character.


Melville Island, the larger of the two is second only to Tasmania in area. Bathurst Island is smaller but in many respects more significant since it is home to Nguiu, site of an airport, and the most prominent of three Aboriginal Art Centres on the islands. A narrow strait, the Aspley Strait,
separates the two islands.


The physical sensation of the Tiwi islands is one of pungent aromas, heavy humidity and a hot, jungle tropical quality. The smells of local flora hang heavy in the air. The sense of remoteness from the rest of the world and the rest of Australia is intensified by the surrounding stands of equatorial timber.


The Tiwi people are open, friendly and welcoming. They also are extraordinarily talented, creating paintings, prints, textile designs and ochre-painted sculptures rich with traditions of
Tiwi mythology and ceremonies. An example is the striking work done on the Pukumani poles. These are carved from ironwood and decorated with designs from the Tiwi past. A common feature of the painting is the cross-hatching used to fill negative space. Another common design element is the circle, replicating symbols associated with Tiwi ceremonies such as the Pukumani and the Kulama.

The Pukumani is a mortuary cermony, carried out over several months following the death of a Tiwi person. Tiwi belief is that the dead person's spirit remains in the living world until it is released by the final Pukumani.


The tall and sturdy Pukumani poles are placed around the burial site. They require weeks of preparation including harvesting the logs, carving the intensely grained wood and painting
ritual designs on the surface. Participants in Pukumani dance and sing around the grave and the posts.

When the ceremony is finished, the poles are left to decay, often capped by inverted bark baskets called tungas. These would have been used by the dead person during life to carry and contain food and water.


Tiwi art centres of Jilimara Arts & Crafts and Munupi Arts & Crafts, are located respectively at Milikapiti (Snake Bay) and Pirlangimpi (Garden Point) on Melville Island. Both centres are managed by coordinators assigned by the Australian government. Jilimara, which is Tiwi for "body painting" also refers to the designs painted in detail on the bodies of dancers and on the Pukumani poles. Munupi also became a center for large murals and panels an for making limited edition prints.

The third art centre is Tiwi Art and Design, near Nguiu. Tiwi Design is much more concerned with the creation of textiles designed with traditional Tiwi imagery. They find their way into silk-screened or hand-painted garments and fabrics.




All three art centres are joined in a consortium of collaboration and continuity. The old traditions of Tiwi art regularly meet the individual self-expression of younger artists. But the latter always respect the old, while extending imagery into new areas.


The days we spent on Bathurst and Melville Islands were among the most stumlating a
nd satisfying experiences we encountered with Australian Aboriginal art. Now we learn that the traditions of Tiwi art that were displayed and celebrated this year at the Telstra Awards, Australia's recognition of outstanding Aboriginal art, have encouraged even further growth and development of art and artists at the Tiwi art centres.

For further information about Australian Aboriginal and Tiwi art, we recommend the following resources:


The Australian: "Creative Worlds Collide in Tiwi Art" Aboriginal Art Online Aboriginal Art & Culture : An American Eye Museum and Art Gallery Northern Territory

We also refer you to the
Australian Aboriginal art pages at TribalWorks, our web site featuring a range of tribal art.

Tuesday, January 27, 2009

We speak Tribal Art in many languages

If you are reading this blog as is, you may find the following news unimportant.

On the other hand, if you know people who speak languages other than English, and who are interested in tribal art, you can tell them that Aboriginals' websites now have Google translation capability.

Our Zuni fetish carving site at ZuniLink.com , our Native-JewelryLink.com site featuring Native American jewelry, our website featuring Native American pottery, Native-PotteryLink.com, and our TribalWorks.com site, with African, Australian, Arctic and Navajo folk art items, no all have a Google gadget that allows the text of the entire site to be translated to several non-English languages: French, German, Italian, Portuguese, Spanish, Danish, Dutch, Russian and more, even Arabic.

Simply go to the home page, find the Google translation box and enter the language you would like to translate to. The page you are on will be translated to that language as will every other page on the site.

A warning, however - This is machine translation so that it doesn't deal with colloquial expression well. When your cursor passes over a translated phrase, a window will open offering the original English wording and will ask if there is a more accurate translation possible. Your response will go to Google, where it will add to their knowledge of languages.

Please give us a comment to let us know if you like this capability. Thank you.

Tuesday, August 19, 2008

Telstra Aboriginal Art Entries and Winners - Tribal Art at Tribal Artery

Following on from an earlier article announcing Telstra winners for 2008, here is an address to access the full range of entries. Links within this home page will take you to all entries in all categories. A slide show also is available.

http://www.nt.gov.au/nreta/museums/exhibitions/natsiaa/25/gallery/htmlversion/index.htm

Brought to you by William and Susanne Waites, whose website at TribalWorks.com offers examples of Australian Aboriginal art from their collection.

Monday, August 18, 2008

Whitehawk Antique Shows show off exceptional tribal art

I joined hundreds of other appreciators of ethnographic art weaving through the concourses of the Whitehawk 25th Annual Antique Ethnographic Art Show at Santa Fe's El Museo Cultural de Santa Fe on Saturday, August 16. It was a very impressive show with 108 booths filled with antiquities from some of the most respected dealers in the field. There was so much extraordinary art presented that I had an unusual reaction.


It was exacerbated by the Tribal Art Show that took place the same day at Santa Fe's DeVargas Mall. This was a smaller show but, according to others who visited both shows, of better average quality. I don't agree but, being more compressed it might appear to be a more concetrated look at fine tribal art.


It was interesting to see some exceptional Australian Aboriginal dot paintings, very professionally presented by a gallery from La Jolla, California. There also was a mix of vintage Aboriginal artifacts. Does this signal a more important role for Australian Aboriginal art in the Western Hemisphere? It would be nice.


The reaction was that there is a great deal more excellent ethnographic (tribal) art at large in the world than the description “rare” would suggest. Certainly more than I imagined.


A similar reaction was that the prices tended to be much higher than what we are charging for equivalent or nearly equivalent material.


While it is too late to see this year's Whitehawk Ethnographic Show, which closed on Sunday, a second Whitehawk show, the 30th Annual Invitational Antique Indian Art Show, has opened and runs through Wednesday, August 20.


I will write about that show tomorrow.


Based on the two Ethnographic and Tribal Art Shows I witnessed this weekend, however, I would recommend attendance at the upcoming show as a very educational opportunity. Admission is $10 per person.

Saturday, August 16, 2008

2008 Telstra Awards for Aboriginal Art Announced

Awards for the 25th Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) were announced on Aug 15, 2008.


Despite controversy surrounding the participation of some community art centres that declined to compete because of the involvement of certain commercial galleries, the competition proceeded without apparent complication.



The winners:



Major award
- Makinti Napanangka from Kintore for her painting depicting designs associated with the rock hole site of Lupulnga. The Dreaming associated with the site is of a small bird known as the Peewee and Two Women Dreaming.



The Telstra General Painting Award
(A$4,000) was given to Doreen Reid Nakamarra. Her winning work of designs associated Marrapinti rock hole site in Western Australia.



The Telstra Bark Painting Award
(A$4,000) was presented to Terry Ngamandara Wilson of Gochan Jiny-jirra, Northern Territory. Terry's work is a design for spike rush (Gulach) that is found in profusion in the swamps of Barlparnarra.



The Telstra Works on Paper Award
(A$4,000) was awarded to Dennis Nona from Badu Island, Torres Strait in Queensland for his etching, Dugam. It is named for the harvest star that appears in the early morning sky during August.



The Wandjuk Marika Three-Dimensional Memorial Award
(A$4,000), sponsored by Telstra, went to Nyapantapa Yunupingu, a Yolngu artist from Yirrkala, for her installation entitled incidence at Mutpi.



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Reported by William Ernest Waites, proprietor of Aboriginals: Art of the First Person Gallery at TribalWorks.com.

Sunday, June 17, 2007

The new Aboriginal art retail space at Gannon's

This is a link that will take you to a video, taken yesterday at the new Aboriginals Gallery space at Gannon's Art & Antiques on South Tamiami Trail, Fort Myers, FL.

The length is about 3:50. To leave the video, click on your back browser.